Budka Julia

Budka Julia

Professor of Egyptian Archaeology and Art History; PI of ERC Project DiverseNile

MAIN AREAS OF RESEARCH
Late Bronze Age and Iron Age, Egypt and Nubia, Material culture, Settlement archaeology and social relationships, Cultural identities, Funerary culture and mortuary architecture

EDUCATION

2007    Dr phil awarded in Egyptology, University of Vienna, Austria

2000    Mphil in Egyptology, University of Vienna, Austria

1995-2000     Study of Egyptology (Major) and Classical Archaeology (Minor), University of Vienna

CAREER HISTORY

Since 2020 Principal Investigator of the ERC Consolidator Grant project DiverseNile, LMU Munich

Since 2015   Professor of Egyptian Archaeology and Art History, Ludwig-Maximilians-University Munich (since 2020 tenured)

2012-2018    Principal Investigator of the ERC Starting Grant project AcrossBorders, hosted by the Austrian Academy of Sciences from 12/2012 to 03/2015; transfered to Munich in 04/2015

2012-2017    Principal Investigator of FWF START project “Across ancient borders and cultures”, hosted by the Austrian Academy of Sciences (OREA, Egypt & Levant)

2011-2012    Assistant Professor (Universitätsassistentin PostDOC) at the University of Vienna, Institute of Egyptology (granted leave from Humboldt University)

2010            Lecturer at the University of Leipzig, Institute of Egyptology

2004-2012    Scientific Researcher and Lecturer at the Institute of Archaeology, Humboldt University Berlin, Department of Egyptology and Northeast African Archaeology

HONORARY POSTS & ELECTED MEMBERSHIP 

since 2019 Corresponding Member of the Austrian Academy of Sciences

2015-2018 Member of the board of directors of the Young Academy

2014-2016            Member of the Akademierat, Austrian Academy of Sciences

2014-2019 Member of the “Young Academy”, Austrian Academy of Sciences (Vienna)

since 2014            Member of the managing board of the “Freunde des Naturhistorischen Museums” (http://freunde.nhm-wien.ac.at/)

CV Budka

Publication list Budka (English, status: 2025)

Publikationsliste Budka (Deutsch, Status 2024)

Neueste Beiträge

Forgetting Sudan?

On the occasion of the publication of the latest issue of the Aegyptiaca journal (no. 9, 2025), I would like to draw attention once again to the current situation in Sudan. This brand-new issue also features my review of William Carruthers‘ splendid book, Flooded Pasts (2022).

For Flooded Pasts, Carruthers did a really thorough review of the archival material produced during the famous UNESCO Nubian campaign. He says it’s clear that the archives we’re talking about are part of a (post)colonial context, where modern Nubian communities and their sites have been ignored in the past. The focus of the archives, archaeological investigations and historical narratives is exclusively on the ancient past, thus giving rise to the necessity of „repeopling Nubia“, the subtitle of the conclusion of the book (pp. 274–283).

One result of the UNESCO campaign in Sudan was the opening of the National Museum in Khartoum on 25 May 1971. Even though its garden had temples from Aksha, Buhen, Semna East and Semna West, the museum and its collection weren’t given World Heritage status (unlike Egypt; check out the reviewed book for more on this, on pp. 239–241). Carruthers (p. 242) rightly puts this in context, pointing out that Sudan at the time was “a state in some degree of turmoil” (p. 242). It’s interesting that on page 241, above the heading “Forgetting Sudan?”, there’s a picture of the Sudan National Museum (Carruthers‘ Fig. 7.1). As with so much of Sudan’s cultural heritage, the museum has suffered destruction and looting in a ‚forgotten‘ war, which has been going on since 2023.

Destroyed front of the Sudan National Museum, 15 May 2025 (photo: National Corporation for Antiquities and Museums.

The current conflict in Sudan shows just how closely linked archaeology is to the society around it. The archaeology of Sudan is closely tied to the history of colonialism, and it’s been affected by different forms of exploitation and manipulation by governments and powerful groups who have used it to push their own national agendas.  It’s clear that this is just as true today as it was in the past.

At the time of writing, Carruthers said that discussing the future of the Nubians was a tricky topic (p. 283). The war in Sudan has been going on since 2023 and has affected millions of people all over the country.  This also shows why we should be interested in creating Nubian histories. It’s not just the institutions involved in the so-called Nubian campaign or archaeologists working in Sudan who should be interested, but everyone on a global level. There are new versions about the Nubian presence in Egypt, Sudan, the United States and other places that are still to be written! And these are anything but marginal.

As we said a few weeks ago at the UNESCO conference in Berlin, we’re never going to give up on Sudan! But we also need more people to talk about Sudan, to care about the Sudanese people and to help protect their rich cultural heritage.

With the festive season here in Europe and another awful war going on just next door, we should remember that millions of Sudanese people have lost everything and are struggling to survive. Sudan is the biggest humanitarian crisis of 2025, and we’re really hoping things will change in 2026.

  1. Sudanese Customs, Heritage, and Traditions – Ancient and Still Continuing: Gartag Schreibe einen Kommentar
  2. Other habits and traditions that continue to this day Schreibe einen Kommentar
  3. Sudanese Habits and Traditions: The presence of the zir Schreibe einen Kommentar
  4. Upcoming DiverseNile Seminar: Unravelling Ancient Nubian Beauty Schreibe einen Kommentar
  5. First article by DiverseNile available in Arabic Schreibe einen Kommentar
  6. New publication: Establishing a Dialogue Schreibe einen Kommentar
  7. Museums and Heritage in Sudan Schreibe einen Kommentar
  8. Risks of Climate Change and Projections on Cultural Heritage in Sudan? Schreibe einen Kommentar
  9. Die Melodien der Frösche in Khartum sind einfach wunderbar. Herbst im Sudan Schreibe einen Kommentar