Budka Julia

Budka Julia

Professor of Egyptian Archaeology and Art History; PI of ERC Project DiverseNile

MAIN AREAS OF RESEARCH
Late Bronze Age and Iron Age, Egypt and Nubia, Material culture, Settlement archaeology and social relationships, Cultural identities, Funerary culture and mortuary architecture

EDUCATION

2007    Dr phil awarded in Egyptology, University of Vienna, Austria

2000    Mphil in Egyptology, University of Vienna, Austria

1995-2000     Study of Egyptology (Major) and Classical Archaeology (Minor), University of Vienna

CAREER HISTORY

Since 2020 Principal Investigator of the ERC Consolidator Grant project DiverseNile, LMU Munich

Since 2015   Professor of Egyptian Archaeology and Art History, Ludwig-Maximilians-University Munich (since 2020 tenured)

2012-2018    Principal Investigator of the ERC Starting Grant project AcrossBorders, hosted by the Austrian Academy of Sciences from 12/2012 to 03/2015; transfered to Munich in 04/2015

2012-2017    Principal Investigator of FWF START project “Across ancient borders and cultures”, hosted by the Austrian Academy of Sciences (OREA, Egypt & Levant)

2011-2012    Assistant Professor (Universitätsassistentin PostDOC) at the University of Vienna, Institute of Egyptology (granted leave from Humboldt University)

2010            Lecturer at the University of Leipzig, Institute of Egyptology

2004-2012    Scientific Researcher and Lecturer at the Institute of Archaeology, Humboldt University Berlin, Department of Egyptology and Northeast African Archaeology

HONORARY POSTS & ELECTED MEMBERSHIP 

since 2019 Corresponding Member of the Austrian Academy of Sciences

2015-2018 Member of the board of directors of the Young Academy

2014-2016            Member of the Akademierat, Austrian Academy of Sciences

2014-2019 Member of the “Young Academy”, Austrian Academy of Sciences (Vienna)

since 2014            Member of the managing board of the “Freunde des Naturhistorischen Museums” (http://freunde.nhm-wien.ac.at/)

CV Budka

Publication list Budka (English, status: 2025)

Publikationsliste Budka (Deutsch, Status 2024)

Neueste Beiträge

Sudanese Habits and Traditions: The presence of the zir

A so-called zir is a large pottery vessel for storing water and other materials. Local customs and traditions have developed in most parts, if not all, of Sudan, emphasizing the importance of having one or more zirs for storing drinking water. Additionally, the water that seeps out from the bottom of the zir is considered cleaner and is used for drinking by the sick or for making tea for those with a refined taste due to its higher purity.

The zir is well-known to most people, but some, especially the newer generation of Sudanese, particularly city dwellers, may not be familiar with it, as its use has decreased or become rare due to the availability of faster, easier, and more modern alternatives. However, the strongest survives!

The zir has been known in Sudan since ancient times, with evidence found in archaeological excavations – such as the MUAFS excavations between Attab and Ferka and many other missions. It is studied by scholars and is part of ethnographic and folklore studies, as its production is accompanied by stories and legends. It also has various uses in Sudanese customs and cultures, such as in weddings and circumcisions.

Today, we discuss its continuity. During the war in Khartoum, I noticed that the use of the zir had increased. Previously, it had been particularly important in villages, unlike in cities such as Khartoum, where alternative water containers and drinking vessels were available. Altogether, the zir remains the preferred choice in Sudan.

There is a focus on creating a special place for it, whether by building it with green bricks or red bricks, or creating a seat with an iron canopy, known locally as a „Mazira“.

Example of a modern zir.

By chance, I learned a special method for cleaning it, particularly from the green fungi that grow on its exterior due to exposure to air and water seepage, known as „dew“.

Zir vessels before cleaning – note the „dew“ in the lower part.

Firstly, the zir is made by men in the field, but its care and cleaning are the responsibility of women, especially older women.

Despite the various types of zir in terms of size, shape, and color, depending on the materials used, there are also different methods of cleaning and decorating them from one region to another. There is also a preference for using black or red zirs.

In Northern Sudan, both black and red zir are used, but there is a difference in decoration and polishing. The people of the Northern State and the River Nile State prefer to polish and clean the exterior using natural materials, often using red brick for red zir and black charcoal for black zir.

The red brick powder used for zir vessels.

In Dongola and some Nubian regions, people often use red zirs or those with a reddish color, known to specialists, which is determined by the materials used and the firing process. In these regions, the lower part of the zir, which is more prone to green fungi, is painted with a coating, often red or yellow, and has become a distinctive mark of the people of Dongola.

I was fortunate to witness a cleaning process, polishing, and applying a special coating to one of the zir, and I documented the process with photos. The tools and materials used are natural and part of the heritage.

The method of decoration, colouring, and polishing with red brick powder and water.

All of this is done to make the zir look clean and beautiful, and this method is usually used every month or more.

Zir vessels after cleaning.

These are customs, traditions, and tools that are part of the Sudanese heritage, and we hope they will continue for future generations.

  1. Upcoming DiverseNile Seminar: Unravelling Ancient Nubian Beauty Schreibe einen Kommentar
  2. First article by DiverseNile available in Arabic Schreibe einen Kommentar
  3. New publication: Establishing a Dialogue Schreibe einen Kommentar
  4. Museums and Heritage in Sudan Schreibe einen Kommentar
  5. Risks of Climate Change and Projections on Cultural Heritage in Sudan? Schreibe einen Kommentar
  6. Die Melodien der Frösche in Khartum sind einfach wunderbar. Herbst im Sudan Schreibe einen Kommentar
  7. Next DiverseNile Seminar: Napatan Funerary Amulets Schreibe einen Kommentar
  8. Museums, antiquities, heritage, and the ongoing war in Sudan II Schreibe einen Kommentar
  9. New publication: Perspectives on the post-colonial period in the Attab to Ferka region Schreibe einen Kommentar