More than one way to look at pottery

The most significant category of material culture utilised by the DiverseNile project in order to reconstruct contact space biographies (see Budka et al. 2025) in the Attab to Ferka region is pottery. It is therefore with great pleasure that I can announce the recent publication of several articles on pottery and the varied perspectives on its analysis.

As previously stated on this blog, an article was published that examined the significance of Nubian pottery in the context of Sai city, thus in an urban environment in Upper Nubia during the 18th Dynasty (Budka 2025a).

A recent update was presented together with Giulia D’Ercole and Elena Garcea, addressing the subject of archaeometric analyses of Sudanese ceramic assemblages from all archaeological periods, spanning from the ninth millennium BCE to the first millennium BCE. The present article (D’Ercole et al. 2025) discusses some of the findings of my ERC-funded projects, AcrossBorders and DiverseNile.

It is with great satisfaction that I can report on the successful inclusion of novel research findings from the field in Sudan, with fresh samples, in this publication. This achievement is to be attributed to the invaluable support of our esteemed colleagues at NCAM, and in particular, our inspector during the 2025 season, Mohamed Eltoum.

In view of the ongoing war in Sudan, it is imperative to continue our collaborative analysis of material using state-of-the-art methods. This will enable Sudanese archaeology to make progress despite the current difficulties and major concerns, apart from the humanitarian catastrophe, such as the destruction of museums, universities and offices.

In our paper, Fig. 14 comprises a small assemblage of recently collected sherds from the fortified structure 2-S-43N, dating to the early 18th Dynasty, located in Attab West.

This site is of significant interest in the context of cultural entanglement, but it also serves to illustrate the pressing issues currently being faced in northern Sudan. It is fortunate that this region has thus far remained free from the direct impact of armed conflict; however, there has been a considerable loss of cultural heritage due to the expansion of gold mining activities. Evidence of this can be found at site 2-S-43N in the MUAFS concession, where a bulldozer has partially removed the structure, and across the entire west bank, extending from Attab to Ferka. Moreover, on the island of Sai, in close proximity, the repercussions of gold mining on archaeology are pronounced.

The early New Kingdom site 2-S-43N was discovered in February 2025 to be partially destroyed by a deep trench that had been cut with a bulldozer (see photo to the right) (photo: J. Budka).

Turning once more to recent publications on pottery, it is with great pleasure that I announce the publication of an update concerning the Nubian ceramics found in House 55 in Elephantine, Egypt (Budka 2025b).

The study of the pottery from House 55 was initiated during the AcrossBorders project and was continued in 2024. The 2024 season focused on Nubian vessels and so-called hybrid vessels (labelled by Dietrich Raue as Medja-pots, imitating Pan-Grave style incised decoration on Egyptian style wheel-made globular bowls, Raue 2017).  The combination of Nubian surface treatment with Egyptian production technique, utilising Egyptian Nile clay, is a distinctive characteristic of these vessels. The shapes exhibit notable similarities to Pan-Grave style cooking pots and globular bowls, while concurrently displaying closer affinities to Egyptian shapes, such as those seen in 17th Dynasty cooking pots.

The prevalence of Nubian pottery in House 55 is noteworthy, with a 17.3% representation in the diagnostic pieces and an average of 4.8% of the overall ceramic material (exceeding 5,500 individual Nubian sherds were documented).  In conjunction with 67 hybrid vessels, the Nubian vessels account for 20% of the diagnostic ceramics subjected to detailed analysis from House 55. In the present report, I provided an update on the Nubian vessels.

In general, the Nubian vessels from House 55 are predominantly associated with the Pan-Grave horizon. However, there is also evidence of the presence of Classic Kerma forms and local variants. Drawing upon the extensive corpus from a singular context, Elephantine emerges as a preeminent site of Pan-Grave associated wares within Egyptian settlement contexts. This corpus encompasses a substantial array of black-topped fine wares, thereby complementing the pottery corpus attested from cemeteries (though it is imperative to note the existence of other findings in Egyptian settlements such as Edfu and Abydos; see de Souza 2019, 9).

Published selection of Black topped wares from House 55 (Budka 2025b: Fig. 45).

This phenomenon can be conceptualised as ‚closing the circle‘: The presence of Pan-Grave horizon sherds has also been identified in the MUAFS concession, both in settlement and burial contexts. These include back-topped fine wares, vessels with incised decoration and presumed cooking vessels. This significant collection of pottery is currently being processed as part of the DiverseNile project. Knowledge of the material from Elephantine and also from Sai is of outstanding importance here, particularly in the context of investigating local patterns within a broader framework. The analysis of pottery provides a crucial avenue for reconstructing the lived experiences reflected in archaeological contexts, where aspects of interconnectivity, of seasonality and the combination and dynamics of various lifestyles need to be considered (Budka 2025b).

References:

Budka 2025a = Julia Budka, Nubian style pottery from the New Kingdom town of Sai Island, Old World: Journal of Ancient Africa and Eurasia (Special Issue) 5, 1‒81, https://doi.org/10.1163/26670755-04020011.

Budka 2025b = Julia Budka, 3.2 Nubian pottery from House 55 − an update, in: Martin Sählhof et al., Temples and Town of Elephantine. Final Report on the 52nd Season 2023/2024 by the German Archaeological Institute Cairo in Cooperation with the Swiss Institute for Architectural and Archaeological Research in Cairo, DAIK, 40-46, https://projectdb.dainst.org/fileadmin/Media/Projekte/2816/Dokumente/ELE-ASAE52-ENGLISH.pdf

Budka et al. 2025 = Julia Budka, Hassan Aglan & Chloë Ward, Reconstructing Contact Space Biographies in Sudan During the Bronze Age, Humans 5(1), 1. https://doi.org/10.3390/humans5010001

D’Ercole et al. 2025 = Giulia D’Ercole, Julia Budka, Elena A.A. Garcea, More than one way to perform archaeometric analyses on pottery. Case studies from prehistoric to Bronze Age Sudan, Journal of Archaeological Science: Reports, Volume 66, 105232, ISSN 2352-409X, https://doi.org/10.1016/j.jasrep.2025.105232

de Souza 2019 = Aaron de Souza, New horizons: the Pan-Grave ceramic tradition in context, Middle Kingdom Studies 9 (London, 2019).

Raue 2017 = Dietrich Raue, Nubian pottery on Elephantine Island in the New Kingdom, in: Neal Spencer, Anna Stevens and Michaela Binder (eds.), Nubia in the New Kingdom: lived experience, pharaonic control and indigenous traditions (Leuven, 2017), 525-533.

Nubian-style pottery of the New Kingdom in focus

I am very happy to announce that a paper focusing on Nubian-style pottery from Sai Island has just been published, being part of a special issue of Old World: Journal of Ancient Africa and Eurasia [OW], vol. 5 (2025), dedicated to the theme „De-Constructing Nubia“.

My paper presents the Eighteenth Dynasty Nubian pottery from Sai city, especially quantities, shapes, wares and parallels from various sites, in context and discusses its social and cultural implications.

My main argument is that Nubian pottery as an integral part of the pottery corpus of Sai allows us to address social practices of a local group with a specific cultural identity. Within the colonial context of Sai as an Egyptian administrative town, the community practices reflected in the pottery show that the legacy of the Kerma empire was never completely abandoned but updated regarding the new political, social and religious situation.

Furthermore, I tried to discuss whether Sai represents an elite phenomenon in urban space which differs from rural contexts in the hinterland of the city. This aspect is closely related to ongoing research ̶ I am currently studying the pottery from the 18th Dynasty site AtW 001 in Attab West, with a special focus on Nubian-style pottery. We recently found more close parallels to Sai and pieces which attest to an intercultural mixing like a new basketry-impressed Nubian-style cooking pot with a painted red rim.

For now, I am very grateful to Aaron De Souza, the organiser of the workshop which lead to this special issue and its main editor as well as to all the other persons involved realising this important collection of papers. “De-Constructing Nubia” is still an urgent research matter and our current work in Attab West can add much data in this respect.

A comparison of Nubian sandstones from a New Kingdom temple with ancient quarries on Sai Island

Uncovering the origins of the sandstone used in the construction of ancient monuments offers a unique glimpse into the interplay between natural resources as well as human craftsmanship and interaction. On Sai Island, nestled in the Nile between the 2nd and 3rd cataracts in Northern Sudan, lies Temple A, an 18th Dynasty Egyptian structure. The sandstone used in its construction, sourced from the island’s abundant deposits, has long piqued the curiosity of archaeologists and geologists alike. A recent study delves into the mineralogical and geological characteristics of these sandstones, seeking to uncover their precise origins and the choices made by ancient builders.

The investigation centered on sandstone samples taken from Temple A, and three nearby quarries. Using advanced analytical tools such as polarization microscopy, scanning electron microscopy, and micro-Raman spectroscopy, we were able to analyze the stones in detail. The sandstone clasts were found to be composed predominantly of quartz, making up 90–95%, with minor contributions from feldspar and lithoclasts. Clay minerals like kaolinite and illite were present in varying amounts, forming part of the stone’s matrix. The stones also contained traces of iron-titanium oxides, which had undergone alterations over time due to natural chemical processes.

The study revealed that the sandstone used in Temple A was more finely sorted and contained smaller grain sizes compared to the samples from the quarries (Figure 1a-d). This finding suggests that the builders deliberately selected stones with uniform characteristics to ensure consistency in the temple’s appearance. The lighter color and moderate sorting of the temple sandstone contrast with the darker, poorly sorted stones found at the quarry and outcrops. This selective quarrying points to a sophisticated understanding of the properties of building materials and a meticulous approach to construction.

However, determining the exact source of the sandstone used in Temple A proved challenging. Despite the similarities in composition between the temple stones and the natural occurrences, the analysis could not definitively link the building materials to a specific quarry. We suggest that the stones likely originated from the same geological formation but does not rule out the possibility of multiple extraction sites within the island.

The presence of minerals such as kaolinite and illite in the sandstone’s matrix provided further insights into the geological history of these rocks. These minerals form under specific environmental conditions and suggest that the sandstone underwent stages of weathering and burial over geological time. Iron-titanium oxides, including ilmenite and its altered forms, indicated processes of chemical transformation as the stones interacted with water and other environmental factors. These transformations reflect the dynamic geological history of Sai Island, where tectonic forces and sedimentary processes shaped the materials long before they were quarried for use in ancient architecture.

While the exact quarrying practices remain unclear, the findings underline the care and intentionality that went into selecting construction materials. The builders of Temple A seemed to prioritize not only structural integrity but also the aesthetic qualities of the stone.

The study of the sandstone from Sai Island is a window into the decisions and practices of colonial Egypt in Nubia during the New Kingdom. Through understanding the material choices of the past, we gain a greater appreciation for the deep relationship between humanity and the natural world. Further investigations, including detailed geological mapping and isotopic analyses, could reveal even more about the origins of these stones and the history they carry.

Sai Island’s sandstone is more than a building material—it is a testament to the resourcefulness and artistry of its ancient inhabitants. Each grain of sand holds a story, shaped by eons of natural forces and, ultimately, by human hands. By unraveling these stories, we not only connect with the past but also deepen our understanding of the intricate connections between geology, culture, and time.

Back in the spotlight: the sandstones of Sai

I am very pleased to announce the next DiverseNile Seminar. On 26th November, our PostDoc Fabian Dellefant will talk about the sandstones of Sai. Some of you may know that we have already analysed them as part of the AcrossBorders project.

However, what was published in 2020 was a preliminary investigation of sandstone petrography using only polarization microscopy. This study offers a basic understanding, but the attribution of samples to distinct quarrying locations on Sai remained uncertain due to limited data descriptions and micrographs. Providing more detailed descriptions, data, and micrographs would greatly enhance the clarity and coherence of the sedimentary rock groupings, offering valuable insights into the provenance of the Nubian sandstones and the sourcing practices of the builders of Temple A.

Therefore, I am delighted that Fabian will present the results of his re-investigation whether the origin of the Nubian sandstones from Temple A can be specifically traced back to local quarries associated with the New Kingdom town.

Don’t miss this exciting seminar on the exploitation of sandstones and quarry work in New Kingdom Nubia!

Towards a better understating of taskscapes in colonial towns of Nubia: The case study of re-used sherds

Back in 2022, I attended a very nice workshop in Mainz: “Excavating the Extra-Ordinary 2. Challenges and merits of workings with small finds“. The proceedings of this event are now published and available in open access.

I am delighted that the book includes my contribution focusing on re-used sherds, presenting the case study from Sai Island.

I also address the question of lids – are these small finds? or pottery vessels? and how shall we deal with them? This also applies to some interesting findings in the MUAFS concession I have discussed earlier on this blog.

The main objective of my chapter in the Mainz volume, apart from advertising reused pottery sherds as extremely exciting (but also challenging) category of finds, was to highlight the concept of object biography and taskscapes which we apply to the Attab to Ferka region (Budka 2024).

I argue that reused ceramic sherds were chosen based on the colour, porosity, stability and hardness of the individual pieces which depend on the specific fabric (see Raedler 2007). Similar to the chaîne opératoire reconstructed by Kate Fulcher for painting materials from Amara West (Fulcher 2022) or by Giulia D’Ercole for pottery from the Middle Nile (D’Ercole 2024), the task of producing sherd tools can involve a number of different places, people and actions. The production process as well as the activities carried out with the newly created tool are well suited to consider tool kits and dynamics taskscapes in ancient landscapes and micro-contexts (for the concept of taskscape see Ingold 1993).

The technical choices are based on the cost (time and resources), availability and workability of the raw materials, in this case the fabric of the chosen sherd. The latter also determines the tools necessary for reworking a sherd (e.g., smoothing the edges or piercing the pottery). There are also important questions regarding what time of year the sherd tools would have been produced. Although most of the tools were most likely produced ad hoc, pottery making was probably mostly a seasonal activity. As such the making of sherd tools may also have been primarily carried out on a seasonal basis, in particular for tools used in pottery workshops.

SAV1W 1671 – a sherd from a basketry impressed Nubian vessel, reused in the New Kingdom town.

Particularly interesting are tools from the New Kingdom town of Sai which were made from Nubian style vessels. For example, SAV1W 1671 is a circular sherd with a central perforation from a basketry impressed Nubian cooking pot, presumably used as a weight. Although, given the lightness of the material, this piece could have been a token rather than a weight. In many cases, we can also assume that reused sherds have multifunctional uses.

SAV1W 1533, a sherd tool made from a Black-topped Kerma vessel.

Another soft Nubian example for a sherd tool is the rim sherd of a Black-topped Kerma vessel, SAV1W 1533. This object fits nicely in the hand, and it is possible to get a good grip, thanks to the rim and the rather soft material. The burnished surface suggests it was more likely used as a spoon rather than as a scraper.

These are just a few examples to show how relevant reused sherds are for questions relating to everyday life and activities. Altogether, in order for reused sherds to contribute to a better understating of taskscapes in ancient Egypt and Nubia, these intriguing objects need to be studied in a more integrated way.

References

Budka 2024 = Budka, J., Processing Reused Pottery from Settlement Contexts in Egypt and Nubia: Challenges & Potential, in Kilian, Andrea, Pruß, Alexander und Zöller-Engelhardt, Monika (Hrsg.): Excating the Extra-Ordinary 2: Challenges & Merits of Working with Small Finds. Proceedings of the International Workshop at Johannes Gutenberg University Mainz, 25–26 November 2022, Heidelberg: Propylaeum, 2024, 83–124. https://doi.org/10.11588/propylaeum.1382.c19771

DʼErcole 2024 = D’Ercole, G., Material meanings, technology and cultural choices: Pottery production in Late Bronze Age Nubia, in: Budka, J./Lemos, R. (eds), Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploitation of natural resources and the circulation of commodities in the Middle Nile, Contributions to the Archaeology of Egypt, Nubia and the Levant 17, Wiesbaden 2024, 207-221

Fulcher 2022 = Fulcher, K., Painting Amara West: The technology and experience of colour in New Kingdom Nubia, British Museum Publications on Egypt and Sudan 13, Amara West Research Publications 1, Leuven 2022.

Ingold 1993 = Ingold, I., The temporality of the landscape, World Archaeology, 25(2), 1993, 152−174. Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.

Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.

The question of markets and meeting points in New Kingdom Nubia

I just came back from a very inspiring and extremely enjoyable workshop on Cyprus within the framework of the ERC ComPAS Project. Under the title “Marks, Marketing, and Markets: Investigating the intersection of marking practices and commercial strategies in the Bronze Age and Early Iron Age eastern Mediterranean”, leading scholars discussed the relevance of pot marks, seals, marks on ingots and much more, focusing on the Late Bronze Age. Many thanks go to the organisers Cassandra M. Donnelly and Artemis Georgiou and their wonderful team!

In my own presentation, „The International Age in pharaonic Egypt: aspects of trade, exchange and marking systems“, I focused on the distribution of marked Oases amphorae as well as on the question of pot mark traditions in Nubia.

For me, it is striking that there are no pre-firing marking practices on Nubian ceramics – but a new trend for post-fired marks attested in the Middle Bronze Age on Egyptian imported Marl clay vessels (in C-Group and Kerma contexts). This is for example well illustrated by the upper part of a storage vessel we found last year in the Kerma cemetery GiE 003 at Ginis East: a large post-fired mark was scratched into the Marl clay surface – presumably in Nubia and for sure intended to transmit a code (as well as decorative aspects?).

Upper part of an Egyptian Marl clay vessel from GiE 003 with a post-fired pot mark.

There is still much research to be conducted on these post-firing pot marks on Egyptian jars found in Nubian contexts – aspects of agency (by whom, where and how was the scratching done) as well as sensory facets (the Egyptian jars have a totally different hardness, colour, and texture than Nubian Nile clay vessels) need to be considered.

Another important aspect of my presentation was the comparison between the pot mark tradition on New Kingdom Sai, Elephantine and in the rural hinterland of Sai, in the MUAFS concession. Here, I got much inspiration from a splendid chapter in an edited volume by Juan Carlos Moreno García with the title “Markets, transactions, and ancient Egypt: new venues for research in a comparative perspective” (Moreno García 2021).

I completely agree with Moreno García (2021) that New Kingdom temple towns in Nubia like Sai were “multifunction centres used, among other purposes, to facilitate contacts between different peoples arrived there to trade, and that some kind of divine sanction at a sacred environment was considered indispensable to formalize the transactions that occurred there.” The last aspect is especially interesting, placing the temples within the towns into a new context – the conversion of the religious landscape of New Kingdom Nubia has already received much attention, but not yet within the framework of trade and transactions. The general role of the temple towns as multifunctional and as trade hubs is well established and was already discussed by several scholars (see Budka 2020, 401, 407 with references as well as passim).

Within New Kingdom Nubia, it is especially relevant to look beyond the colonial towns with their temples, harbours and large-scale storage facilities. This is where the DiverseNile Project steps in and adds much food for thought based on the evidence in the MUAFS concession which is the hinterland of Sai in the 18th Dynasty and of Amara West in the Ramesside era.

Inspired by reading Moreno García’s 2021 chapter, I think it is possible to view the intriguing site AtW 001 from a new perspective. Since 2022, I was convinced that this rural site has something to do with the exchange of goods, especially the distribution of ceramics in 18th Dynasty Nubia (see Budka 2022, as “control posts for trade, gold transport and possibly the communication between hinterland communities and the newly established Egyptian centre on Sai Island”).

Drone photograph of Trench 2 at AtW 001 at the end of the season. Note the various storage pits at the site and lack of standing architecture. Photo: K. Rose, © DiverseNile Project.

Based on the results from the 2023, we could go a bit further and suggest that the “site might well have been linked to seasonal traffic/routes into the desert, possibly in connection with the provision of transport animals and livestock for gold working expeditions” (Budka et al. 2023, 29). In this context, we observed that “The lack of significant architectural remains suggests that AtW 001 was linked to a nearby settlement or temporary, possibly seasonal structures” (Budka et al. 2023, 30). Following ideas by Moreno García, I would now like to add that the lack of substantial architectural remains at AtW 001 could also be explained in a way that the open spaces of the sites were intended to serve travellers and to supervise trade. This would also allow to justify the large number of simple storage pits on the site. With its mix of material culture, including large amounts of Nubian ceramics as well as in-between vessels (see https://www.sudansurvey.gwi.uni-muenchen.de/wp-content/uploads/2023/03/IMG_9979-2048×1536.jpg), the site at Attab West could indeed have functioned as a seasonal market and a meeting place for various groups, including mobile communities.

All in all, New Kingdom Nubia seems to be an excellent case study for state-built meeting points and trade centres like Sai and other temple towns, but also for seasonal and occasional markets as illustrated by AtW 001 – the latter stressing the importance of semi-nomadic and nomadic groups when we talk about the exchange of commodities. These various types of markets and most importantly the diverse communities being involved are likely to be the keys for understanding the multiple use of marking systems we find in New Kingdom Egypt and Nubia.

References
Budka 2020 = J. Budka, AcrossBorders 2. Living in New Kingdom Sai. Archaeology of Egypt, Sudan and the Levant 1. Vienna: Austrian Academy of Sciences Press, 2020.

Budka 2022 = J. Budka, Early New Kingdom settlement activities in the periphery of Sai Island: towards a contextualisation of fresh evidence from Attab West, MittSAG – Der Antike Sudan 33, 2022, 45‒61.

Budka et al. 2023 = J. Budka, K. Rose & C. Ward, Cultural diversity in the Bronze Age in the Attab to Ferka region: new results based on excavations in 2023, MittSAG – Der Antike Sudan 34, 2023, 19−35.

Moreno García 2021 = J.C. Moreno García, Markets, transactions, and ancient Egypt: new venues for research in a comparative perspective. In Moreno García, Juan Carlos (ed.), Markets and exchanges in pre-modern and traditional societies, 189−229. Oxford; Philadelphia: Oxbow Books, 2021.

One paper out, a new exciting Raman spin-off project just launched

About two years ago, at the height of the Covid pandemic, the idea was born to initiate a scientific cooperation with our colleagues Fabian Dellefant and Melanie Kaliwoda from the Department of Earth and Environmental Sciences of the LMU and test together a new analytical methodology for archaeological ceramic material, namely Raman Spectroscopy.

Specifically, we aimed to first perform Raman spectroscopy towards carbon-bearing pottery and yields insights on the application of this technique for estimating maximum firing temperatures of Late Bronze Age vessels from Upper Nubia, comparing two site-specific data sets of samples, from the 18th Dynasty (1550–1290 BCE) at Sai Island and Dukki Gel (Kerma).

The encounter between natural sciences and archaeology was successful and from this idea an inspiring project developed, culminating in the publication of the paper: “Differentiation of Late Bronze Age Nubian- and Egyptian-style ceramics from northern Sudan by manufacturing firing temperatures using Raman spectroscopy”, in Journal of Archaeological Science: Reports, as part of the Special Issue Materiality of Earth edited by Pamela Fragnoli, Elisa Boccalon, Susanna Cereda, and Giovanna Liberotti, whom we all deeply thank for inviting us to contribute to this SI.

In testing Raman spectroscopy, our principal aims were to search for differences in producing technique and firing temperatures between the Nubian- and Egyptian-style samples; between the samples from Sai Island and those from Dukki Gel; and eventually among the different ceramic wares and types.

Now, as it is often the case, one idea leads to another and while some of the archaeological questions posed in the initial objectives of the work have not yet been fully answered, new exciting questions have arisen during the research and led us to further expand our Raman project into a new spin-off project focused on the investigation of the effects of oxidative weathering in relation to site-specific depositional environment and time.

Generally speaking, oxidative weathering is known to cause significant alteration modifications of the ceramic body after deposition resulting in distorting Raman spectra and potentially leading to an overestimation of the firing temperatures (Deldicque et al., 2023). Although all archaeological ceramics experienced oxidative weathering, our case study showed that the weathering effect was possibly more intense on the Dukki Gel than on the Sai Island samples hence to affect maximum firing conditions.

The new set of samples for which thin-sections were produced to perform Raman Spectroscopy.

In the coming months, together with Fabian Dellefant, we will particularly focus on this aspect of our research and perform Raman Spectroscopy on new samples, including ceramic sherds that have undergone extremely intensive oxidative weathering and experimental replica which were never exposed to any depositional and post-depositional processes.

Stay tuned to know more about the development of our work!

Reference

Deldicque, D., Rouzaud, J., Vandevelde, S., Medina-Alcaide, M.A., Ferrier, C., Perrenoud, C., Pozzi, J., Cabanis, M., 2023. Effects of oxidative weathering on Raman spectra of charcoal and bone chars: consequences in archaeology and paleothermometry. Comptes Rendus. Geoscience 355, 1–22. https://doi.org/ 10.5802/crgeos.186.

A day on the Nile – new approaches to reconstruct lived experiences

I am very pleased that an article I prepared together with Chloe Ward and Carl Elkins as part of a forthcoming special volume of the journal African Archaeological Review dedicated to “African Archaeology in Support of School Learning” (see Stahl et al. 2023) is now published. This manuscript was shaped over more than one year and was extreme fun to write.

Back in 2022, Ann Stahl asked me whether I would be willing to join this project preparing an unusual publication as a tool for schoolteachers and students rather than a scientific article. I was immediately excited, especially since I had already some experience teaching at schools in Austria and Germany. But this was different – more hands-on, more research-related and a very collaborative process with wonderful colleagues and a fully motivated working group. It was also a real challenge and new experience.

Since some years, I already had the idea to write a children’s book from the perspective of a dog experiencing life in an Egyptian town in Nubia in the Second Millennium BCE. Within the AcrossBorders project, we found in 2015 this cute dog figurine in the New Kingdom town of Sai Island.

We aimed for a different perspective in our article, focusing on object biographies, narratives and story telling. „Wastl“, the dog figurine from Sai Island, was a key figure here.

Well – this was the starting point and inspired me to propose the blending of a fictional narrative with factual archaeological evidence for our contribution to Ann’s volume. Together, we developed and offered an interpretation of what a typical day may have been like living at Sai. We created a small girl letting us have a look into her life and daily routine. Of course, this girl is a proud dog owner – but check out our story for more!

In our contribution, we also offer explanations for how archaeologists work and interpret some of the evidence we discuss, focusing on a range of methods. These include recent advances in virtual 3D reconstruction which offer a unique perspective on our interpretation of the past. Carl created magical photorealistic and interactive 3D models – these are not only a great outcome themselves, but also allowed us to come up with new interpretations and asking new and different questions. The corresponding figures we included in the article were taken directly from within the interactive virtual reconstruction created in real time.

Virtual reconstruction of a house in Sai city from the southern enclosure wall with a serpentine wall shielding the entrance to a narrow lane. Construction material has been added for a hypothetical renovation, which was known to occur regularly in domestic contexts. As research is ongoing, the geometry and texture of the buildings’ façades are simplified. Image: Carl G. Elkins

Although we focus on the past, many of the aspects we discuss in the article are highly relevant today and can be linked to several of the UN Sustainable Development Goals (in particular 9, 11, and 12). We encourage readers to think about some of the things we discuss in relation to their own lives and experiences and have provided a number of call-out questions in speech bubbles throughout the article to get some of these discussions started.

As soon as the complete special issue of AAR 40, 3 will be published, there will be the link to some supplementary material which will allow to explore the reconstruction of Sai city in an interactive mode. We are very much looking forward to any responses – from our fellow academics as well as of course schoolteachers, students and other people interested in archaeology and the relevance of the field for us nowadays (and in the future). In the meantime, we will be busy exploring more scientific questions that arose from the photorealistic virtual reconstructions – and there is quite a number of exciting ones.

Our new article:

Julia Budka, Chloe Ward & Carl G. Elkins, A Day on the Nile: Living in a Town in Nubia. African Archaeological Review (2023). https://doi.org/10.1007/s10437-023-09547-4

Reference:

Stahl, A.B., Balabuch, A., Sanford, K. et al. African Archaeology in Support of School Learning: an Introduction. African Archaeological Review (2023). https://doi.org/10.1007/s10437-023-09539-4

In focus: Living at New Kingdom Sesebi

The next lecture in our DiverseNile Seminar Series 2023 is coming up: on Tuesday, July 4, Kate Spence (University of Cambridge) will be talking about her research in the temple town of Sesebi – “Living at Sesebi: investigating the houses of the New Kingdom town”.

Kate is an internationally well-recognised expert on New Kingdom urban sites and especially house architecture in Amarna and Sesebi. She has published seminal works on the topic and, in my opinion, one of her publications on the 3D form of Amarna houses (Spence 2004) is especially remarkable and extremely useful to be discussed with students in classes on Egyptian domestic architecture.

I am especially delighted that Kate will be giving this talk about lived experiences in New Kingdom houses at Sesebi for several reasons. First, because the site of Sesebi is a fantastic parallel for Sai Island and second, it has always struck me as an especially intriguing site with huge potential (especially for understanding settlement patterns in New Kingdom Nubia). Thus, thirdly, it is not only a great topic for the DiverseNile Seminar Series, but also of much relevance for domestic architecture in the Attab to Ferka region and our own research.

Kate’s recent fieldwork project at Sesebi (co-directed with Pamela Rose) reflects the new boom in urban archaeology in Upper Nubia since the 2000s, with an increase in archaeological fieldwork at sites like Amara West,Tombos, Sai, Dukki Gel and of course Sesebi.

The new work at Sesebi started in 2008 and concentrates on a re-assessment of the work by the Egypt Exploration Society in the 1930s. The most important result of this new mission is that structures and material remains, especially pottery, have been found which pre-date the reign of Akhenaten – the king who is normally associated with the site. It is very likely that Sesebi was already founded at the very beginning of the 18th Dynasty (Spence and Rose 2009, 39, 42; Rose 2017; Spence 2017) – maybe as early as Sai Island.

Join us next Tuesday at the DiverseNile Seminar and learn more about living at New Kingdom Sesebi through Kate Spence’s promising lecture!

References

Rose 2017 = Rose, P., Sesebi: Ceramics, chronology and society, in: Neal Spencer, Anna Stevens and Michaela Binder (eds.), Nubia in the New Kingdom. Lived experience, pharaonic control and indigenous traditions, British Museum Publications on Egypt and Sudan 3, Leuven 2017, 465–473.

Spence 2004 = Spence K., The three-dimensional form of the Amarna house, Journal of Egyptian Archaeology 90, 2004, 123-152.

Spence 2017 = Spence, K., Sesebi before Akhenaten, in: Neal Spencer, Anna Stevens and Michaela Binder (eds.), Nubia in the New Kingdom. Lived experience, pharaonic control and indigenous traditions, British Museum Publications on Egypt and Sudan 3, Leuven 2017, 449–463.

Spence and Rose 2009 = Spence, K. and Rose, P., New fieldwork at Sesebi, Egyptian Archaeology 35, 2009, 21–24.

A Hyksos royal name scarab from Kerma cemetery GiE 003

As announced last week, the first preliminary report about Kerma cemetery GiE 003 in Attab/Ginis East has just been published (Budka 2022).

Today, I would like to discuss one of the highlights from this cemetery which was published in the EVO paper: a glazed steatite royal scarab with the name of a Hyksos king.

Scarab MUAFS 005. Photos: Rennan Lemos, editing: Marion Devigne, ©DiverseNile Project.

Found in Feature 4, the name of Pharaoh Y’amu is given on the bottom of this piece, MUAFS 005. Already on the day of its discovery, Manfred Bietak kindly helped remotely with the initial reading of the royal name of this scarab – many thanks for this! I am also particularly grateful to Karin Kopetzky, who provided detailed information about the dating criteria of this piece. The design of its back, head, legs, and sides all directly correspond to other known attestations of Y’amu (Tufnell 1984, 32, 35, 37, pl. 61: 3416, 3417, 3418, 3419; Ward 1984, 164) whose exact position within the sequence of 15th Dynasty rulers is unfortunately not clear (see Ben-Tor 2007, 107-108).

Scarabs are in general rare in cemetery GiE 003 and only two pieces have been found in our excavations. The context of scarab MUAFS 005, Feature 4, appears to belong to the later part of the Classic Kerma period, possibly contemporaneous with the Theban 17th Dynasty. As is known from other marginal regions of the Kerma empire like the Fourth Cataract area, our Hyksos scarab might have been circulating in Nubia for some time before ending up in GiE 003’s Feature 4.

The Hyksos king Y’amu has not been attested to in Nubia before the discovery of his scarab MUAFS 005 in GiE 003. Interestingly, in Ward’s sequence he would postdate the other Hyksos rulers attested to at Sai and Kerma as well as at the northern sites. Ward (1984, 164) placed Y’amu in the second half of the 15th Dynasty, but this sequence has been discussed and is not archaeologically confirmed (Ben-Tor 2007, 108 with references).

The textual evidence for contact between Kerma rulers and Hyksos kings has already been addressed from a variety of perspectives. In this context, the appearance of Tell el-Yahudiyeh ware in Nubia and of Kerma wares in Egypt, especially at the Hyksos capital Avaris, were also noted as possible indicators of exchange. Alexander Ahrens and Karin Kopetzky recently examined the appearance of Hyksos scarabs in the context of Kerma burials (Ahrens, Kopetzky 2021). Royal Hyksos scarabs are known from Ukma, Akasha, Sai, and Kerma, as well as several Lower Nubian sites (Aniba, Dakka, Sayala, Masmas, Faras, Mirgissa, Uronarti and Debeira). All of the kings mentioned on these sealings ruled during the early Hyksos period, and it is logical to assume that this was when the Hyksos engaged in direct trade with the Kerma kingdom (Ahrens, Kopetzky 2021, 295 with references and discussion). During the early Second Intermediate Period, the fortresses in Lower Nubia were under Kerma control, and the Hyksos were probably keen to establish trade and direct contact to achieve “continued access to resources and particularly to the Nubian gold essential for trade in the Eastern Mediterranean” (Ahrens, Kopetzky 2021, 295). The Lower Nubian fortresses have always been linked to gold mines and access to gold – recent work has stressed also the importance of Kerma gold working sites in Batn el-Haggar (Edwards 2020, 406-407; 415), and the same is likely for the Attab to Ferka region, especially for Ginis and Kosha. Could the Hyksos scarabs found at Ukma, Akasha, and Sai reflect not only international trade but also, indirectly, gold exploitation between the Second and Third Cataracts during Kerman rule? And could the same apply for the newly found scarab in Ginis?

It is tempting to assume that this new Hyksos scarab can be seen in connection to an intense period of Kerman exchange with the Hyksos kingdom, which sought gold from not only former Egyptian fortresses in Lower Nubia but also sites further south under Kerma rule. Sai’s importance during the Kerma Period might be linked to both the island’s strategic position and its location in a gold-rich region, making it ideal for supervising gold exploitation as we know it from the New Kingdom. Maybe the halting of trade with the Hyksos in the second part of the 15th Dynasty was one of the reasons why the character of Sai as a Kerman stronghold changed during Classic Kerma times (for this change see Gratien 2014; Manzo 2016). It remains to establish possible changes towards the end of the Classic Kerma period in marginal regions like Ginis – and cemetery GiE 003 with its use from Middle Kerma to Classic Kerma times and its close proximity to gold exploitation sites (as well as its connection to desert nomads presumably involved in the gold trade) has here lots of potential for future analysis.

References:

Ahrens, Kopetzky 2021 = A. Ahrens, K. Kopetzky, “Difficult times and drastic solutions: the diffusion of looted Middle Kingdom objects found in the northern Levant, Egypt and Nubia”, in M. Bietak, S. Prell (eds), The enigma of the Hyksos, volume IV: Changing clusters and migration in the Near Eastern Bronze Age. Collected papers of a workshop held in Vienna 4th-6th of December 2019, Wiesbaden 2021, 253-313.

Ben-Tor 2007 = D. Ben-Tor, Scarabs, Chronology, and Interconnections: Egypt and Palestine in the Second Intermediate Period, Fribourg, Göttingen 2007.

Budka 2022 = J. Budka, Investigating Nubian funerary practices of marginal communities: new evidence from a Kerma cemetery at Ginis, Egitto e Vicino Oriente 45, 2022, 37-62.

Edwards 2020 = D.N. Edwards (ed.), The archaeological survey of Sudanese Nubia, 1963-69: the pharaonic sites, Oxford 2020.

Gratien 2014 = B. Gratien, Saï I. La nécropole Kerma, Paris 1986.

Manzo 2016 = A. Manzo, “Weapons, ideology and identity at Kerma (Upper Nubia, 2500-1500 BC)”, Annali Sezione Orientale 76 (1-2) (2016), 3-29.

Tufnell 1984 = O. Tufnell, Scarab Seals and their Contribution to the History in the Early Second Millennium BC, Warminster 1984.

Ward 1984 = W.A. Ward, “Royal-name scarabs”, in O. Tufnell, Scarab Seals and their Contribution to the History in the Early Second Millennium BC, Warminster 1984, 151-192.