In the framework of the DiverseNile project, I have introduced the application of ‘contact space biographies’ as a new concept in the study of intercultural encounters in the Middle Nile. We will specify the question of cultural encounters through the distribution of the sites and their duration, settlement infrastructures, building techniques, production activities and technologies, trade, diet, material culture, burial customs, religious practices and social structures. The importance of peripheral areas, like the Attab to Ferka region, for our understanding of cultural formations will be stressed. In line with this, the DiverseNile Seminar Series 2021 focuses on cultural diversity in Northeast Africa, giving several case studies from various perspectives.
Our next presentation, to be held tomorrow by Loretta Kilroe, will introduce an exciting example of so-called ‘provincial’ Kerma remains in the Northern Dongola Reach.
Site H25 was partly excavated in the last years and yielded settlement remains and evidence from the Kerma, New Kingdom and Napatan eras (Ross 2014; Porter 2019; Kilroe 2019). The site is, among others, shedding new light onto trade networks in New Kingdom Nubia. Because Loretta is an expert on ancient Egyptian and Sudanese pottery, she will focus tomorrow on ceramics and what they can tell us about frontier economics.
I am personally very much looking forward to this exciting presentation about an as yet little known but very important site! As usual, last minute registrations are still possible and highly welcome!
Time passes by for everyone. Also, and above all for archaeologists. Still, it is pleasant when this comes with experience and new opportunities.
On February 2013 I wrote my first post for the AcrossBorders blog. At that time, I was sitting in the magazine rooms of the Sai Island excavation house starting to get familiar with the Nubian fabrics of the New Kingdom town. A few months later I moved to Vienna to join the ERC Starting Grant ‘AcrossBorders’ project led by Julia Budka.
Since then, hundreds of ceramic samples have passed through my hands. These were both Nubian-style and Egyptian-style vessels locally produced at Sai Island / Upper Nubia, but also Imported Nile clays, Marl clays and Oasis clays from Egypt, together with other imported wares from Levant. These materials constituted the aim of my research for AcrossBorders and were sampled, documented and analysed by me together with Johannes Sterba, at the Atominstitut of Vienna. Over the years, thanks to Julia Budka, I have learned how to recognize and classify these wares and fabrics and we calibrated together on them the different analytical strategies and research objectives. Now I fairly know each of those samples by heart.
Yet, we do not grow where things are easy, we grow when we face challenges (and new opportunities).
With October, I happily started in Munich a new three-year contract within Julia Budka’s ERC Consolidator Grant project ‘Diverse Nile’, where I am, together with other researchers and Julia Budka, responsible for the Work Package 3: Reconstructing cultural encounters based on the material culture. My main tasks within WP 3 include petrographic technological and compositional analyses on the ceramic materials sampled from the new concession area in the Attab to Ferka region, dating to the Bronze Age.
Emphasis will lay on pottery technology and mostly on the so-called hybrid products and their significance for cultural encounters (see, e.g., Stockhammer 2013; Matić 2017; Beck 2018; Steel 2018; Souza 2020), on Nubian local style vessels and on the provenience of wheel-made ‘Egyptian’ pottery.
Analytical methods will comprise petrographic (OM) and provenance chemical analysis (iNAA and possibly XRF) but also digital image analysis (DIA) and scanning electron microscopy (SEM) on selected samples. Further, since the focus will lay mainly on pottery technology and manufacturing techniques, other analytical methodologies (e.g., radiography and computed tomography, CT) will be evaluated for studying the internal structures of the objects and the diversity among specific hand -made (i.e., coiling, mold-building, slab-building), wheel-made and possibly also mixed hand-made and wheel-made forming techniques (see e.g., Sanger 2016). A greater importance will be given to observe the technology of production of the vessels aimed at outlining all stages of the manufacturing processes, from raw material procurement through preparation, production, finishing, until use, and discard.
From a theoretical perspective, a new challenge will be to deal with the ceramic assemblages from the periphery of the central urban sites and relate them to our reference collection from Sai Island. Were there any different strategies in the selection of raw materials, preparation of the vessels and manufacturing techniques between central and peripheral sites? Furthermore, were the proportions between local Nubian-style, Egyptian-style, and various imported vessels equal or not between core sites and periphery?
For this purpose, comparative material from other main New Kingdom/Kerma central sites in Upper Nubia will be incorporated to our principal reference collection from Sai Island.
Luckily, Covid times have not completely blocked us, and thanks to a kind agreement with our colleague and friend Philippe Ruffieux, we are currently waiting to welcome in Munich a bunch of approx. forty samples, among which typical Nubian (Kerma) and Egyptian Nile clay wares from the New Kingdom/Kerma-Dukki Gel site.
It will be a pleasure to start my new task within the DiverseNile project by documenting, sampling, and examining this highly relevant material!
Beck, T. 2018. Postkoloniale Objektepistemologien? Homi Bhabhas Konzepte in archäologischen Forschungen – ein Überblick, 237–262, in: M. Hilgert, H. Simon and K.P. Hofmann (eds.), Objektepistemologien. Zur Vermessung eines transdisziplinären Forschungsraums. Berlin.
Matić, U. 2017. Der dritte Raum, Hybridität und das Niltal: das epistemologische Potenzial der postkolonialen Theorie in der Ägyptologie, 93‒111, in: S. Beck, B. Backes and A. Verbovsek (eds.), Interkulturalität: Kontakt ‒ Konflikt ‒ Konzeptualisierung. Beiträge des sechsten Berliner Arbeitskreises Junge Aegyptologie (BAJA 6), 13.11.-15.11.2015. Wiesbaden.
Sanger, M.C. 2016. Investigating pottery vessel manufacturing techniques using radiographic imaging and computed tomography: Studies from the Late Archaic American Southeast, Journal of Archaeological Science: Reports 9, 586‒598.
Steel, L. 2018. Egyptianizing practices and cultural hybridity in the Southern Levant during the Late Bronze Age, Journal of Ancient Egyptian Interconnections 20, 15‒30.
Stockhammer, P.W. 2013. From Hybridity to Entanglement, from Essentialism to Practice, Archaeological Review from Cambridge Issue 28.1: Archaeology and Cultural Mixing, 11‒28.
Souza, A. M. de. 2010. Melting Pots: Entanglement, Appropriation, Hybridity, and Assertive Objects between the Pan-Grave and Egyptian Ceramic Traditions, Journal of Ancient Egyptian Interconnections 27, 1‒23.
two days were really nice – hot and sunny. Today, the weather has changed
again, a very strong wind made work difficult today and the temperatures are
again a bit cooler.
in the field with such a wind was not possible after lunch, I spent this
afternoon playing with some statistics for the two test trenches in GiE 001
where we are currently working.
Of course, any interpretation based on two test trenches only must remain very tentative, but I believe there are already some interesting facts and possible glues for understanding the function of the site. The domestic character of GIE 001 was already noted by Vila and we confirmed its dating to the New Kingdom with a strong Kerma presence in 2019. What new data derives now from our test trenches?
Let’s look at the pottery – the surface material was mixed in both trenches, comprising Kerma, Egyptian New Kingdom, Napatan and Christian wares. Many of the sherds are very eroded (wind-worn).
only yielded a total of 328 sherds, of which 13 are diagnostic pieces (4%). 271
pieces from all sherds (83%) can be dated to the Kerma/New Kingdom period.
pattern is repeated in Trench 2 were a larger quantity of pottery was found. As
of today, a total of 3709 sherds were collected, 177 of which are diagnostic
pieces (5%). In this trench, 3203 sherds belong to the Kerma/New Kingdom horizon
(86% and thus the clear majority).
Especially relevant was today’s muddy layer in a deep level which yielded only 13 small pottery sherds, but of which all are New Kingdom in date, 6 wheel-made of the Egyptian tradition, 7 handmade Nubian wares.
most frequent category of finds after pottery are stone tools and lithics.
These were quite numerous, especially in Trench 2, where for example 102 pieces
were collected from the surface layer. The stone artefacts are mostly flakes
and here predominately quartz flakes; very frequent are also fragments from
sandstone grindstones and handmills. A few chert flakes and some pounders and
hammer stones were also noted.
All in all, the stone artefacts seem to attest first of all quartz working and grinding of materials. This fits perfectly to the topographical situation of the site – just south of GiE 001, there is a large quartz vein visible on the surface. And this might very well be connected with ancient gold working like it is well attested in the general region of Upper Nubia and especially around the main centres of the New Kingdom empire like Sai, Sesebi and Amara West.
In the 1970s, Vila documented a gold working site at Kosha East (the neighbouring village of Ginis) where New Kingdom and Napatan ceramics on the surface next to a quartz vein resemble the evidence from GiE 001.
Excavation and processing of data at GiE 001 must of course continue, but for now, this New Kingdom ocupation site seems associated with gold exploitation in the periphery of Sai Island. Exciting first glimpses into the use of the Bronze and Iron Age landscapes in the MUAFS concession!