Archiv der Kategorie: Nubia

More than one way to look at pottery

Veröffentlicht am von
Antworten

The most significant category of material culture utilised by the DiverseNile project in order to reconstruct contact space biographies (see Budka et al. 2025) in the Attab to Ferka region is pottery. It is therefore with great pleasure that I can announce the recent publication of several articles on pottery and the varied perspectives on its analysis.

As previously stated on this blog, an article was published that examined the significance of Nubian pottery in the context of Sai city, thus in an urban environment in Upper Nubia during the 18th Dynasty (Budka 2025a).

A recent update was presented together with Giulia D’Ercole and Elena Garcea, addressing the subject of archaeometric analyses of Sudanese ceramic assemblages from all archaeological periods, spanning from the ninth millennium BCE to the first millennium BCE. The present article (D’Ercole et al. 2025) discusses some of the findings of my ERC-funded projects, AcrossBorders and DiverseNile.

It is with great satisfaction that I can report on the successful inclusion of novel research findings from the field in Sudan, with fresh samples, in this publication. This achievement is to be attributed to the invaluable support of our esteemed colleagues at NCAM, and in particular, our inspector during the 2025 season, Mohamed Eltoum.

In view of the ongoing war in Sudan, it is imperative to continue our collaborative analysis of material using state-of-the-art methods. This will enable Sudanese archaeology to make progress despite the current difficulties and major concerns, apart from the humanitarian catastrophe, such as the destruction of museums, universities and offices.

In our paper, Fig. 14 comprises a small assemblage of recently collected sherds from the fortified structure 2-S-43N, dating to the early 18th Dynasty, located in Attab West.

This site is of significant interest in the context of cultural entanglement, but it also serves to illustrate the pressing issues currently being faced in northern Sudan. It is fortunate that this region has thus far remained free from the direct impact of armed conflict; however, there has been a considerable loss of cultural heritage due to the expansion of gold mining activities. Evidence of this can be found at site 2-S-43N in the MUAFS concession, where a bulldozer has partially removed the structure, and across the entire west bank, extending from Attab to Ferka. Moreover, on the island of Sai, in close proximity, the repercussions of gold mining on archaeology are pronounced.

The early New Kingdom site 2-S-43N was discovered in February 2025 to be partially destroyed by a deep trench that had been cut with a bulldozer (see photo to the right) (photo: J. Budka).

Turning once more to recent publications on pottery, it is with great pleasure that I announce the publication of an update concerning the Nubian ceramics found in House 55 in Elephantine, Egypt (Budka 2025b).

The study of the pottery from House 55 was initiated during the AcrossBorders project and was continued in 2024. The 2024 season focused on Nubian vessels and so-called hybrid vessels (labelled by Dietrich Raue as Medja-pots, imitating Pan-Grave style incised decoration on Egyptian style wheel-made globular bowls, Raue 2017).  The combination of Nubian surface treatment with Egyptian production technique, utilising Egyptian Nile clay, is a distinctive characteristic of these vessels. The shapes exhibit notable similarities to Pan-Grave style cooking pots and globular bowls, while concurrently displaying closer affinities to Egyptian shapes, such as those seen in 17th Dynasty cooking pots.

The prevalence of Nubian pottery in House 55 is noteworthy, with a 17.3% representation in the diagnostic pieces and an average of 4.8% of the overall ceramic material (exceeding 5,500 individual Nubian sherds were documented).  In conjunction with 67 hybrid vessels, the Nubian vessels account for 20% of the diagnostic ceramics subjected to detailed analysis from House 55. In the present report, I provided an update on the Nubian vessels.

In general, the Nubian vessels from House 55 are predominantly associated with the Pan-Grave horizon. However, there is also evidence of the presence of Classic Kerma forms and local variants. Drawing upon the extensive corpus from a singular context, Elephantine emerges as a preeminent site of Pan-Grave associated wares within Egyptian settlement contexts. This corpus encompasses a substantial array of black-topped fine wares, thereby complementing the pottery corpus attested from cemeteries (though it is imperative to note the existence of other findings in Egyptian settlements such as Edfu and Abydos; see de Souza 2019, 9).

Published selection of Black topped wares from House 55 (Budka 2025b: Fig. 45).

This phenomenon can be conceptualised as ‚closing the circle‘: The presence of Pan-Grave horizon sherds has also been identified in the MUAFS concession, both in settlement and burial contexts. These include back-topped fine wares, vessels with incised decoration and presumed cooking vessels. This significant collection of pottery is currently being processed as part of the DiverseNile project. Knowledge of the material from Elephantine and also from Sai is of outstanding importance here, particularly in the context of investigating local patterns within a broader framework. The analysis of pottery provides a crucial avenue for reconstructing the lived experiences reflected in archaeological contexts, where aspects of interconnectivity, of seasonality and the combination and dynamics of various lifestyles need to be considered (Budka 2025b).

References:

Budka 2025a = Julia Budka, Nubian style pottery from the New Kingdom town of Sai Island, Old World: Journal of Ancient Africa and Eurasia (Special Issue) 5, 1‒81, https://doi.org/10.1163/26670755-04020011.

Budka 2025b = Julia Budka, 3.2 Nubian pottery from House 55 − an update, in: Martin Sählhof et al., Temples and Town of Elephantine. Final Report on the 52nd Season 2023/2024 by the German Archaeological Institute Cairo in Cooperation with the Swiss Institute for Architectural and Archaeological Research in Cairo, DAIK, 40-46, https://projectdb.dainst.org/fileadmin/Media/Projekte/2816/Dokumente/ELE-ASAE52-ENGLISH.pdf

Budka et al. 2025 = Julia Budka, Hassan Aglan & Chloë Ward, Reconstructing Contact Space Biographies in Sudan During the Bronze Age, Humans 5(1), 1. https://doi.org/10.3390/humans5010001

D’Ercole et al. 2025 = Giulia D’Ercole, Julia Budka, Elena A.A. Garcea, More than one way to perform archaeometric analyses on pottery. Case studies from prehistoric to Bronze Age Sudan, Journal of Archaeological Science: Reports, Volume 66, 105232, ISSN 2352-409X, https://doi.org/10.1016/j.jasrep.2025.105232

de Souza 2019 = Aaron de Souza, New horizons: the Pan-Grave ceramic tradition in context, Middle Kingdom Studies 9 (London, 2019).

Raue 2017 = Dietrich Raue, Nubian pottery on Elephantine Island in the New Kingdom, in: Neal Spencer, Anna Stevens and Michaela Binder (eds.), Nubia in the New Kingdom: lived experience, pharaonic control and indigenous traditions (Leuven, 2017), 525-533.

Nubian-style pottery of the New Kingdom in focus

Veröffentlicht am von
Antworten

I am very happy to announce that a paper focusing on Nubian-style pottery from Sai Island has just been published, being part of a special issue of Old World: Journal of Ancient Africa and Eurasia [OW], vol. 5 (2025), dedicated to the theme „De-Constructing Nubia“.

My paper presents the Eighteenth Dynasty Nubian pottery from Sai city, especially quantities, shapes, wares and parallels from various sites, in context and discusses its social and cultural implications.

My main argument is that Nubian pottery as an integral part of the pottery corpus of Sai allows us to address social practices of a local group with a specific cultural identity. Within the colonial context of Sai as an Egyptian administrative town, the community practices reflected in the pottery show that the legacy of the Kerma empire was never completely abandoned but updated regarding the new political, social and religious situation.

Furthermore, I tried to discuss whether Sai represents an elite phenomenon in urban space which differs from rural contexts in the hinterland of the city. This aspect is closely related to ongoing research ̶ I am currently studying the pottery from the 18th Dynasty site AtW 001 in Attab West, with a special focus on Nubian-style pottery. We recently found more close parallels to Sai and pieces which attest to an intercultural mixing like a new basketry-impressed Nubian-style cooking pot with a painted red rim.

For now, I am very grateful to Aaron De Souza, the organiser of the workshop which lead to this special issue and its main editor as well as to all the other persons involved realising this important collection of papers. “De-Constructing Nubia” is still an urgent research matter and our current work in Attab West can add much data in this respect.

A comparison of Nubian sandstones from a New Kingdom temple with ancient quarries on Sai Island

Veröffentlicht am von
Antworten

Uncovering the origins of the sandstone used in the construction of ancient monuments offers a unique glimpse into the interplay between natural resources as well as human craftsmanship and interaction. On Sai Island, nestled in the Nile between the 2nd and 3rd cataracts in Northern Sudan, lies Temple A, an 18th Dynasty Egyptian structure. The sandstone used in its construction, sourced from the island’s abundant deposits, has long piqued the curiosity of archaeologists and geologists alike. A recent study delves into the mineralogical and geological characteristics of these sandstones, seeking to uncover their precise origins and the choices made by ancient builders.

The investigation centered on sandstone samples taken from Temple A, and three nearby quarries. Using advanced analytical tools such as polarization microscopy, scanning electron microscopy, and micro-Raman spectroscopy, we were able to analyze the stones in detail. The sandstone clasts were found to be composed predominantly of quartz, making up 90–95%, with minor contributions from feldspar and lithoclasts. Clay minerals like kaolinite and illite were present in varying amounts, forming part of the stone’s matrix. The stones also contained traces of iron-titanium oxides, which had undergone alterations over time due to natural chemical processes.

The study revealed that the sandstone used in Temple A was more finely sorted and contained smaller grain sizes compared to the samples from the quarries (Figure 1a-d). This finding suggests that the builders deliberately selected stones with uniform characteristics to ensure consistency in the temple’s appearance. The lighter color and moderate sorting of the temple sandstone contrast with the darker, poorly sorted stones found at the quarry and outcrops. This selective quarrying points to a sophisticated understanding of the properties of building materials and a meticulous approach to construction.

However, determining the exact source of the sandstone used in Temple A proved challenging. Despite the similarities in composition between the temple stones and the natural occurrences, the analysis could not definitively link the building materials to a specific quarry. We suggest that the stones likely originated from the same geological formation but does not rule out the possibility of multiple extraction sites within the island.

The presence of minerals such as kaolinite and illite in the sandstone’s matrix provided further insights into the geological history of these rocks. These minerals form under specific environmental conditions and suggest that the sandstone underwent stages of weathering and burial over geological time. Iron-titanium oxides, including ilmenite and its altered forms, indicated processes of chemical transformation as the stones interacted with water and other environmental factors. These transformations reflect the dynamic geological history of Sai Island, where tectonic forces and sedimentary processes shaped the materials long before they were quarried for use in ancient architecture.

While the exact quarrying practices remain unclear, the findings underline the care and intentionality that went into selecting construction materials. The builders of Temple A seemed to prioritize not only structural integrity but also the aesthetic qualities of the stone.

The study of the sandstone from Sai Island is a window into the decisions and practices of colonial Egypt in Nubia during the New Kingdom. Through understanding the material choices of the past, we gain a greater appreciation for the deep relationship between humanity and the natural world. Further investigations, including detailed geological mapping and isotopic analyses, could reveal even more about the origins of these stones and the history they carry.

Sai Island’s sandstone is more than a building material—it is a testament to the resourcefulness and artistry of its ancient inhabitants. Each grain of sand holds a story, shaped by eons of natural forces and, ultimately, by human hands. By unraveling these stories, we not only connect with the past but also deepen our understanding of the intricate connections between geology, culture, and time.

Back in the spotlight: the sandstones of Sai

Veröffentlicht am von
Antworten

I am very pleased to announce the next DiverseNile Seminar. On 26th November, our PostDoc Fabian Dellefant will talk about the sandstones of Sai. Some of you may know that we have already analysed them as part of the AcrossBorders project.

However, what was published in 2020 was a preliminary investigation of sandstone petrography using only polarization microscopy. This study offers a basic understanding, but the attribution of samples to distinct quarrying locations on Sai remained uncertain due to limited data descriptions and micrographs. Providing more detailed descriptions, data, and micrographs would greatly enhance the clarity and coherence of the sedimentary rock groupings, offering valuable insights into the provenance of the Nubian sandstones and the sourcing practices of the builders of Temple A.

Therefore, I am delighted that Fabian will present the results of his re-investigation whether the origin of the Nubian sandstones from Temple A can be specifically traced back to local quarries associated with the New Kingdom town.

Don’t miss this exciting seminar on the exploitation of sandstones and quarry work in New Kingdom Nubia!

Towards a better understating of taskscapes in colonial towns of Nubia: The case study of re-used sherds

Veröffentlicht am von
Antworten

Back in 2022, I attended a very nice workshop in Mainz: “Excavating the Extra-Ordinary 2. Challenges and merits of workings with small finds“. The proceedings of this event are now published and available in open access.

I am delighted that the book includes my contribution focusing on re-used sherds, presenting the case study from Sai Island.

I also address the question of lids – are these small finds? or pottery vessels? and how shall we deal with them? This also applies to some interesting findings in the MUAFS concession I have discussed earlier on this blog.

The main objective of my chapter in the Mainz volume, apart from advertising reused pottery sherds as extremely exciting (but also challenging) category of finds, was to highlight the concept of object biography and taskscapes which we apply to the Attab to Ferka region (Budka 2024).

I argue that reused ceramic sherds were chosen based on the colour, porosity, stability and hardness of the individual pieces which depend on the specific fabric (see Raedler 2007). Similar to the chaîne opératoire reconstructed by Kate Fulcher for painting materials from Amara West (Fulcher 2022) or by Giulia D’Ercole for pottery from the Middle Nile (D’Ercole 2024), the task of producing sherd tools can involve a number of different places, people and actions. The production process as well as the activities carried out with the newly created tool are well suited to consider tool kits and dynamics taskscapes in ancient landscapes and micro-contexts (for the concept of taskscape see Ingold 1993).

The technical choices are based on the cost (time and resources), availability and workability of the raw materials, in this case the fabric of the chosen sherd. The latter also determines the tools necessary for reworking a sherd (e.g., smoothing the edges or piercing the pottery). There are also important questions regarding what time of year the sherd tools would have been produced. Although most of the tools were most likely produced ad hoc, pottery making was probably mostly a seasonal activity. As such the making of sherd tools may also have been primarily carried out on a seasonal basis, in particular for tools used in pottery workshops.

SAV1W 1671 – a sherd from a basketry impressed Nubian vessel, reused in the New Kingdom town.

Particularly interesting are tools from the New Kingdom town of Sai which were made from Nubian style vessels. For example, SAV1W 1671 is a circular sherd with a central perforation from a basketry impressed Nubian cooking pot, presumably used as a weight. Although, given the lightness of the material, this piece could have been a token rather than a weight. In many cases, we can also assume that reused sherds have multifunctional uses.

SAV1W 1533, a sherd tool made from a Black-topped Kerma vessel.

Another soft Nubian example for a sherd tool is the rim sherd of a Black-topped Kerma vessel, SAV1W 1533. This object fits nicely in the hand, and it is possible to get a good grip, thanks to the rim and the rather soft material. The burnished surface suggests it was more likely used as a spoon rather than as a scraper.

These are just a few examples to show how relevant reused sherds are for questions relating to everyday life and activities. Altogether, in order for reused sherds to contribute to a better understating of taskscapes in ancient Egypt and Nubia, these intriguing objects need to be studied in a more integrated way.

References

Budka 2024 = Budka, J., Processing Reused Pottery from Settlement Contexts in Egypt and Nubia: Challenges & Potential, in Kilian, Andrea, Pruß, Alexander und Zöller-Engelhardt, Monika (Hrsg.): Excating the Extra-Ordinary 2: Challenges & Merits of Working with Small Finds. Proceedings of the International Workshop at Johannes Gutenberg University Mainz, 25–26 November 2022, Heidelberg: Propylaeum, 2024, 83–124. https://doi.org/10.11588/propylaeum.1382.c19771

DʼErcole 2024 = D’Ercole, G., Material meanings, technology and cultural choices: Pottery production in Late Bronze Age Nubia, in: Budka, J./Lemos, R. (eds), Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploitation of natural resources and the circulation of commodities in the Middle Nile, Contributions to the Archaeology of Egypt, Nubia and the Levant 17, Wiesbaden 2024, 207-221

Fulcher 2022 = Fulcher, K., Painting Amara West: The technology and experience of colour in New Kingdom Nubia, British Museum Publications on Egypt and Sudan 13, Amara West Research Publications 1, Leuven 2022.

Ingold 1993 = Ingold, I., The temporality of the landscape, World Archaeology, 25(2), 1993, 152−174. Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.

Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.

Co-presenting the MUAFS project at the SASA virtual conference 2024

Veröffentlicht am von
Antworten

I am delighted that today there will be a joint presentation by my dear friend and colleague Huda Magzoub and me at the SASA conference. Under the title “The Munich University Attab to Ferka Survey Project 2018-2023: Archaeology, gold, and landscape” we will summarize some aspects of our work in Sudan.

Since Huda is currently having very restricted internet, being displaced with her family in Sudan because of the current war, she sent me a video which I incorporated in the presentation. As much as it hurts not to be able to see her online or in person, it’s a wonderful feeling to present some outcome of our common work and to focus for a change on archaeology & scientific research despite of all the tragedies connected with the war in Sudan.

In our paper today, we will give an overview of the activities and results of the MUAFS project from its start in 2018 until 2023, with a special focus on new findings regarding ancient gold working in the region. In addition, modern gold working and the challenging of preserving cultural heritage in a remote area in times of war will be addressed. Thus, the presentation will follow a comparative approach to analyze gold working throughout the ages. This is especially relevant for Sudan as gold mining has been already in ancient times not just an economic activity but a testament to technological and cultural advancements. Gold has served as a catalyst for cultural evolution, economic prosperity, and sometimes conflict. We will address these aspects and thus highlight some features of the multifaceted story of gold in Sudan, tracing its influence from the dawn of civilization to the contemporary era. Finally, modern concepts of ancient gold working can be critically revisited thanks to the new evidence in the MUAFS concession, making the paper highly relevant for the general theme of the conference.

I am very grateful to the conference organizers for accepting our paper and for giving Huda as a displaced Sudanese archaeologists a forum to share her research in times of war.

Upcoming DiverseNile Seminar: „Tracks on the sand, ancient Egyptian mobility in the desert“

Veröffentlicht am von
Antworten

While the summer break is approaching, I am delighted to announce the next DiverseNile Online Seminar next Tuesday. Dr. Mohamed Osman will give a talk with the title „Tracks on the sand, ancient Egyptian mobility in the desert“.

Mohamed is the Director of the Coptite and Theban Desert Eastern Hinterlands survey project, Visiting Scholar at Humboldt University Berlin and Visiting Scholar at New York University. He is an expert about trade routes in ancient Egypt and Sudan. His book published in 2022 (Osman 2022) highlights the possibilities to trace Old and Middle Kingdom (3000 to about 1700 BCE) trade routes using textual evidence, archaeology but also satellite images.

His DiverseNile talk will be about the approaches and methods used when researching about travelling routes. Starting from the theoretical backgrounds and the GIS spatial analysis and how it can be useful, Mohamed will also outline how we can detect the errors in this analysis.

The upcoming DiverseNile Seminar will present case studies from both the Western and Eastern Desert. One particular example will be Mohamed’s discussion about the route between Aswan and Kerma.

I am very much looking forward to this talk presenting fresh research about patterns of ancient mobility in the desert!

Reference:

Osman Abdollah, Mohamed 2022. Trade centers and trade routes in Upper Egypt, during the Old and Middle Kingdoms. GHP Egyptology 36. London: Golden House.

Reconstructing the burial of Feature 50 in cemetery GiE 003

Veröffentlicht am von
Antworten

I’m thrilled and privileged to have become part of the DiverseNile team in November 2023. My primary role entails consolidating and organizing the data on the variability of funerary monuments excavated in the Attab to Ferka region of Northern Sudan during the 2022 and 2023 seasons. Our PI Julia Budka has given me the specific task of preparing the documentation of Feature 50 from Trench 5 in the Kerma cemetery GiE 003 (see Budka 2022). Interestingly, this burial shows many features associated with the Pan-Grave culture.

Different models of Feature 50.

The filling of Feature 50 comprised a diverse array of artifacts (see Budka, Rose, Ward 2023, 34), including pottery sherds, bones of at least one individual and three goats, beads, remnants of a wooden bed, alongside a mix of dense clay or mud fragments. The latter might have constituted a section of the superstructure wall surrounding the burial (cf. Irish 2007, 59, Figs. 2-3). Due to their dispersed nature within the tomb, not all of these finds were unearthed together or found within a single layer, necessitating their documentation either partially or separately. 

Using Metashape and Adobe Photoshop to rectify photos.

Because different parts of the same level were documented separately, I endeavored to amalgamate all these disparate 3D models into one comprehensive representation using Adobe Illustrator. This involved consolidating all the finds in a unified layout. Additionally, I utilized site photos, rectified them through programs like Metashape or Photoshop, and incorporated them into the combined models.

Using close-up photos for the finer details

I also leveraged daily site information, occasionally using the models as close-ups for finer details. Furthermore, throughout this process, I engaged in numerous discussions with Julia to ensure accuracy and completeness. 
In the end, through our collaborative efforts, we successfully integrated all elements into a single cohesive representation, meticulously illustrated using Adobe Illustrator.

I and Julia Budka discussing the different details of Feature 50.

The clarity of having everything consolidated sparked the idea of creating a reconstruction view using Adobe Illustrator. Inspired by this, I began exploring parallel cemeteries associated with the Pan-Grave horizon, including C-group burials (which are a bit earlier but nevertheless useful parallels). To enhance the visualization, I utilized Photoshop to craft different positions for the goat skeletons. However, despite these efforts, the original view remained somewhat unclear. This led me to consider creating a 3D model reconstruction using Google Sketch-Up, providing a clearer representation of all the features and finds.

Finally, I managed to develop a preliminary 3D reconstruction, but further investigation is needed. Interestingly, Pan-Grave burials, contrasting to Kerma burials, normally do not have wooden funerary beds.

My preliminary 3D reconstruction of Feature 50.

One last aspect: It’s incredible how something as simple as a color choice can drastically alter the way we perceive a scene. Chloe’s observation about the light blue floor of my reconstruction resembling a swimming pool was certainly amusing, but it prompted a smart adjustment to a grayish color to avoid any unintended connotations. These lighthearted moments amidst the serious work of archaeological reconstruction bring a sense of fun and camaraderie to the team.

References

Budka 2022 = Budka, J., Investigating Nubian funerary practices of marginal communities: new evidence from a Kerma cemetery at Ginis, Egitto e Vicino Oriente 45 (2022), 37‒62.

Budka, Rose & Ward 2023 = Budka, J., Rose, K. & C. Ward, Cultural diversity in the Bronze Age in the Attab to Ferka region: new results based on excavations in 2023, MittSAG – Der Antike Sudan 34 (2023), 19−35.

Irish 2007 = Irish, J.D., Overview of the Hierakonpolis C-Group dental remains, Sudan & Nubia 11 (2007), 57-72.

Regionality of stone quarrying in Nubia: the case study of a granite quarry at Ferka West

Veröffentlicht am von
Antworten

The most recent publication of the ERC DiverseNile Project focuses on landscape and resource management in Bronze Age Nubia. Here, I would like to present some thoughts on the regionality of stone quarrying in Nubia with a case study from the MUAFS concession.

Stone is a natural resource which has typically been associated with Egypt, being regarded as a raw material of little importance for Nubian cultures. However, the quarrying of stone played a role in the complex framework of cultural exchange of Middle Nile communities with Egypt (see Budka 2024). Whereas Nubian sandstone (quartz sandstone) only started to be used as building material in the Middle Nile during the Middle Kingdom, mostly for Egyptian fortresses, there is evidence for a much earlier use of natural- and dry-stone architecture, in both settlement architecture and funerary buildings (cf. Liszka 2017). Sandstone architectural pieces were also well integrated within Nubian monumental architecture (e.g., the columns and stelae at the eastern Deffufa in Kerma, see Budka 2024 with references). Some of the most important sandstone quarries during the New Kingdom can be found at Sai Island – we have studies these quarries already during the ERC AcrossBorders Project and will come back to the topic within the framework of our present project in the near future thanks to the expertise of our PostDoc Fabian Dellefant.

Granite is another important stone quarried in Nubia. While the most renowned granite quarry used for building projects and objects in ancient Egypt over millennia is located in Aswan, there are also a number of granite quarry sites in the Middle Nile. They are less well known and seem to have been used for a considerably shorter amount of time.

The quarry site of Tombos with an unfinished royal statue.

One quite famous example is the site of Tombos close to the Third Nile Cataract. The site includes a large quarry of magmatic rocks, principally granite and granitic gneisses, with known activity from the 18th Dynasty until Napatan and Meroitic times, particularly for statues and stelae. One particularly striking left-over in the quarry is the beautiful, although unfinished royal statue of presumably Napatan date.

There is no clear evidence that the quarry site of Tombos was used prior to the New Kingdom (Klemm, Klemm and Murr 2019, 28).

Another type of granite, pink granite, is available just south of the Dal Cataract in the MUAFS concession. This brings me to my case study: site 3-L-6 is a large red granite quarry at the foot of Jebel Kitfoggo in Ferka West – well noted by Vila and others during the 1970s survey (Vila 1976, 72−73). We visited the site during our 2022 survey of the MUAFS project – the landscape is fantastic and the pink granite very picturesque.

The site 3-L-6 at Jebel Kitfoggo is one of the highlights in the MUAFS concession area.
A large number of stone working traces can be observed at the pink granite quarry 3-L-6.

Fragments of unfinished columns in the southern part of the site testify to an intensive use in Medieval times for architectural pieces (Welsby 2002, 173).

The quarry was clearly used for architectural pieces like columns.

This is supported by evidence from settlement site 3-G-30, just to the north of 3-L-6, where Medieval ceramics were found on the surface. The building technique and general layout of these stone-built huts are also typical of the Medieval era.

Part of site 3-G-30 in close vicinity of the granite quarry.

Although several Kerma sites are also identifiable in the surroundings of 3-L-6, there is no evidence for Bronze Age or Iron Age use of the granite quarry at Jebel Kitfoggo.

It is interesting to stress that both Tombos and Jebel Kitfoggo were used for a relatively limited time span compared to other quarry sites. These examples illustrate regional patterns in quarrying in the Middle Nile, but they also show the need to consider political and historical circumstances when investigating the management of raw material and resources (Budka 2024).

References

Budka 2024 = J. Budka, Introduction. Regionality of resource management in Bronze Age Sudan: an overview and case studies, in: J. Budka and R. Lemos (eds), Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploitation of natural resources and the circulation of commodities in the Middle Nile, Contributions to the Archaeology of Egypt, Nubia and the Levant 17, Wiesbaden 2024, 19−33.

Klemm, Klemm and Murr 2019 = Klemm, D., Klemm, R. and Murr, A., Geologically induced raw materials stimulating the development of Nubian culture, in: D. Raue (ed.), Handbook of Ancient Nubia, Vol. 1, Berlin; Boston 2019, 15−38.

Liszka 2017 = Liszka, K., Egyptian or Nubian? Dry-stone architecture at Wadi el-Hudi, Wadi es-Sebua, and the Eastern Desert, Journal of Egyptian Archaeology 103 (1) (2017), 35−51.

Vila 1976 = Vila, A., La prospection archéologique de la Vallée du Nil, au Sud de la Cataracte de Dal (Nubie Soudanaise). Fascicule 3: District de Ferka (Est et Ouest),Paris 1976.

Welsby 2002 = Welsby, D.A., The Medieval Kingdoms of Nubia: Pagans, Christians and Muslims Along the Middle Nile, London 2002.

Landscape and resource management in Bronze Age Sudan

Veröffentlicht am von
Antworten

I am very proud to announce the publication of a new volume of the ERC-funded DiverseNile Project: the copies of Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploitation of natural resources and the circulation of commodities in the Middle Nile, Contributions to the Archaeology of Egypt, Nubia and the Levant 17, Harrassowitz Verlag, 2024, edited by Rennan Lemos and me have just arrived and simply look great!

This volume is a direct result of many discussions held in the first DiverseNile seminar series organised by Rennan Lemos in 2021 as well as the second one in 2022, partly co-organised by Chloë Ward. The input of various colleagues working on several aspects of research extraction and management in ancient Nubia provided an opportunity to further develop an idea originally focused on gold into a collective effort to understand Nubian resource management in the Bronze Age. We are deeply grateful to all contributors to this volume, whose work illustrates the rich potential for a better understanding of how resources were extracted, managed, and utilised in complex ways in Nubia by various groups, including both Egyptians and indigenous communities, but also desert nomads. The table of content of the volume can be found here.

We are especially grateful to Manfred Bietak and the CAENL editorial board for accepting this volume for publication in their series and for organising the peer review. The publication was finalised in a difficult time for Sudan as a result of the conflict between the Sudanese Armed Forces and the Rapid Support Forces. As much as we are delighted to offer a further contribution to the investigation of ancient Sudan, we are also deeply concerned about the risks the people and the cultural heritage of Sudan are facing.

We fully support all our friends and colleagues in Sudan and would like to express our appreciation for their commitment to the preservation of the Sudanese cultural heritage in these extremely challending times. With the first anniversary of this terrible conflict and humanitarian tragedy approaching, it is timely to renew our concerns about and thoughts with the Sudanese people. Peace for Sudan!