Our week 3 of the 2023 season was dominated by another drop in temperatures and very windy weather – there were only three days when we could work all day, on the other days too much sand in the air forced us to stop work early and continue with documentation and processing in the digging house.
Most importantly, our totalstation was fixed and is back to its normal daily routine. The wind prevented Kate to do much drone aerial photography, but thanks to the new Trimble Catalyst Antenna she was very busy documenting the landscape and many dry-stone walls in the area of Attab West and Ginis West.
While we were waiting for our totalstation, Chloe, Jose and I continued at the intriguing site 2-S-54, the 18th Dynasty building made of mud bricks and stones located on a steep slope of a rocky outcrop within the district of Foshu. A stunning view to work!
Chloe working at site 2-S-54.Photographing the dense mud brick collapse in the northern part of the structure. We also took 3D models of all surfaces exposed so far.
We exposed more of the surface around the structure and worked on the dense mud brick debris on its interior – more early 18th Dynasty ceramics, including Nubian style pots and also one hybrid cooking pot were unearthed – extremely exciting! A good number of large fragments of sandstone grindstones came to light and these were already documented by Sofia. This could already be a small hint that also this site is associated with goldmining. Modern gold working is carried out in large scale just next to us – in general a nice continuation illustrating the long-lasting impact of the natural resources for this part of the Middle Nile. However, since some of these modern pits and diggings also threaten the archaeological sites, I am rather concerned about this new development at Attab West.
Much progress was made exposing the 18th Dynasty structure at site 2-S-54.
Work at 2-S-54 will continue in week 4, since we moved back to the domestic site AtW 001 with our gang of local workmen during week 3. Here, the dense mud brick debris revealed further complete pottery vessels as well as a very well preserved animal skull, most probably of a donkey.
Well-preserved animal skull in the mud brick debris layer at AtW 001. It was found at the bottom of a slight slope, sourrounded by brick debris and pottery fragments.
There are plenty of other animal jaws and bones in the collapse and it really seems as if most of this debris is partly rubbish. In addition, we have exposed more circular pits, presumably fire pits or storage structures.
More complete pottery vessels were found in week 3 at ATW 001. Especially exciting is the complete zir in the pit on the right of the picture.
Since we have reached a level where the contexts are now quite delicate and also space for work is limited, we moved our team of local workmen to the East bank (this is the “better” bank regarding wind and was thus received with much enthusiasm by the workmen). Jose and Huda started yesterday at the Kerma cemetery GiE 003 with two new trenches, aiming for a better understanding of the distribution patterns of burials at the site. Chloe and Sofia were busy setting up the new fix points and conducting measurements with the totalstation. The first burial pits are already visible in the new Trench 3 and I am sure I will be able to report interesting finds on the next update coming Friday.
It has been a busy week – arriving in Khartoum, finishing the paperwork, travelling to the north, arriving in Ginis, settling in our digging house, sorting the material and equipment and organizing the gang of workmen for our excavations as well as the boat transport to the west bank. All went very smoothly thanks to great support from our Sudanese friends and colleagues, especially the help of our inspector Huda, our friends Waleed in Khartoum and Magzoub here in Abri as well as our driver Imad and cook Ali.
Just great to be back in oir digging house in Ginis!
We will start with extended excavation in the small settlement AtW 001 – in 2022, a first test trench provided interesting results, suggesting that there was a use at the site from Classic Kerma times through the Thutmoside period (for details see Budka 2022).
We managed to prepare everything for our first day of excavation tomorrow: Chloe and Sofia set up the new grid and took all necessary measurements, I was busy with taking micromorphological soil samples from the section of our 2022 trench – Huda was a great help here, not only in taking working pictures.
Taking our first micromorphological samples at AtW 001.
It was the first time I took these samples using plaster of paris, quick-setting gypsum plaster – and although the sediment is partly very soft and challenging to sample, it worked really well. We hope that the analysis of these samples will allow us a more detailed understanding whether our excavated area was an open space or a roofed space, what kind of activities apart from the visible fire places and the dumping of food waste are traceable and much more! Very exciting, especially since we did not yet find standing architecture although loose mud bricks are present at the site.
Today is our day off and tomorrow we will start week 1 of excavations at AtW 001 with our local workmen – stay tuned, this site is really full of potential!
Reference
Budka 2022 = J. Budka, Early New Kingdom settlement activities in the periphery of Sai Island: towards a contextualisation of fresh evidence from Attab West, MittSAG – Der Antike Sudan 33, 2022, 45‒61.
While winter is back in Munich, Chloe, Sofia and I have safely arrived in Khartoum this night. It’s wonderful to be back in Sudan and we cannot wait to be heading to the north on Monday insha’allah. Paperwork and shopping still need to be done, but then all is set.
In the field in the Attab to Ferka region we will be busy with several tasks:
Excavations at Ginish East and Attab West, especially the continuation of work at the Kerma cemetery GiE 003 and at the intriguing settlement site AtW 001
Survey in various areas, especially on the west bank and into the desert
Drone Aerial Photography in all of the concession area, but especially on the west bank.
Furthermore, we plan some ethnoarchaeological research about pottery making and goldworking/goldsmithing and metal working.
The 2023 team comprises all our ERC DiverseNile staff – Chloe, José, Kate, Giulia and Sofia. I am delighted that our team will be strengthened by two students of Al-Neelain University (Tasabeh Obaid Hassan and Mohamed Abdeldaim Khairi Ibrahim) and one PhD Candidate from the Cotsen Institute of Archaeology, University of California, Los Angeles (Matei Tichindelean). Our NCAM inspector will be our old friend and colleague Huda Magzoub who has been supporting us in the last years.
We have a very promising 2-month season ahead of us and we will keep you updated (if the connection in the north allows it ;-)).
Time passes quickly, we know, especially when good things happen. Only last January with a 9-months pregnant belly – and an inspired although easily forgetful pregnancy brain – I wrote the blog post “Some thoughts around the concepts of materiality, identity and style”. By that time, I already had some ideas jumbling around in my mind, I was reading quite some articles about materiality, entanglement, and style, taking notes, and in a way I wanted to back them up somewhere, in a safe place, before starting my parental leave. Meanwhile, my second baby, Filippo, was born and he is now an eight months healthy and curious boy who crawls everywhere and chews anything (with a preference for books!) all around the apartment. Meanwhile, I have also ended my maternity leave and I am officially back in the office! And there could not be a more excited and effective return than being able to draw on those preliminary thoughts and notes and make them flow into my lecture on “Material meanings, technology and cultural choices. Pottery production in Bronze Age Nubia”, the penultimate within our 2022 DiverseNile Seminar Series of lectures on Landscape and Resource Management in Bronze Age Nubia.
Once again, I wish to express my gratitude to both Julia Budka and Rennan Lemos for having invited me to give this talk. Also, I take the chance to thank the colleagues who were present in the audience and took part in the discussion. For those who have not had the opportunity to attend the lecture, you can find it recorded on our website at the following link: DiverseNile Seminar Series 2022 (uni-muenchen.de). Eventually, I am going to summarize below some of the main topics I covered. In principle, there was the idea of taking stock of the state of the art of my results and current research aims within the Work Package 3 of the project. Also, I meant to compare the large-scope technological and compositional study conducted within the frame of the ERC AcrossBorders project on the ceramic assemblage from the New Kingdom colonial town of Sai Island with the results available from the analysis of the ceramic material from the Kerma/New Kingdom site of Dukki Gel. The latter have been actually already included in our DiverseNile database and together with the Sai Island corpus constitute a pretty massive reference collection of over 300 samples.
Fig. 1: One example for our new samples from the MUAFS concession – here a collection of Nubian-style sherds from the domestic site AtW 001 (photo: J. Budka).
Eventually, I was keen to introduce our new set of samples – 108 beautiful and highly promising ceramic sherds, among which diverse examples of Nubian-style and Egyptian-style wares in Nile clay, selected during our last field season from the region between Attab and Ferka, namely from the sites of Attab West 001, Ginis East 001, and Ginis East 003, two settlement sites and a Kerma cemetery (Figures 1 and 2).
Fig. 2: A summary of the number and provenience of our new set of samples from the MUAFS concession.
For presenting these data, I built up a consistent theoretical frame that provided for the concepts of materiality, style, and “chaîne opératoire”. I started by talking about the meaning that we attribute to objects, not only those with high symbolic value like luxury goods or amulets, but also and above all those objects of domestic use, which we all have in our kitchens and which intersect daily with our traditions, culinary practices, gestures, and phares so that every family, and in a broad sense every culture, has not only its own family lexicon (sensu Ginzburg 1963) but also a familiar lexicon of the material culture that has belonged to it. I have therefore examined the etymology of the word object, from the Medieval Latin obiectum „thing put before“ (the mind or sight), from which comes the idea of the object aseverything that the subject (human/culture) perceives as different from himself. Hence the reference to a long tradition of philosophical and linguistic studies in which the objects, and material culture in the extended sense, has been interpreted according to an anthropocentric one-way perspective mainly as static representation of the (human) subject (for further details see Fahalander 2008). The discussion continued by examining the concept of material culture in archaeology and anthropology with reference to the academic movement of ‘Processual archaeology’ and then in accordance to the ‘post-Processualism’. Eventually, I have talked upon the recently increasing interest on ‘things and materiality’, the so-called New Materialism (see e.g., Olsen et al. 2012) and with it a new way of perceiving the material reality as centred on itself, if not freed by the human subject (it can never be completely so), at least less depended on the human apparatus of symbolic representation and functional meanings. Not by chance in the last decades, we have also witnessed a progressive change of terminology with the use of the words things and materiality gradually replaced that of material culture.
I therefore examined the concepts of materiality and style in reference to the manufacturing sequence linked to the production of Egyptian-style and Nubian-style vessels in Nile clay, with case studies from both Sai Island and Dukki Gel, and thus observed in which stages of the chaîne opératoire were the identity aspects of the aforementioned cultures and ceramic traditions more (or less) emphasized.
Looking at the ceramic manufacture not just as a finished product resulted from the human action and intended for functional, social, and representative needs, but as the outcome of a series of gestures and corporeal actions that take shape in the first place in direct contact with the environment, by means the choice and manipulation of the raw materials, implies putting ourselves in a new multi-scale perspective, so that we can move forward from the anthropocentric dimension and add to the dialectical relation objects vs. humans a third party, namely the environment with its vegetation, animals, bodies, and various materials such as clay, water and sand.
Secondly, can we ask ourselves with greater knowledge and detail “Who produced the vessels?” That is, who, among the Nubian and / or Egyptian potters having their workshops settled in Upper Nubia – most of the analysed Egyptian style and Nubian style Nile wares in Nile clay from Sai Island have showed indeed the same chemical fingerprint (D’Ercole and Sterba forthcoming) – selected the raw material for making their vessels, kneaded the pastes, and then went to shape the pots, to treat the surfaces, to apply the decorations and finally to make the fire? It is plausible to think that if not all, at least some of the gestures and stages of the manufacturing sequences took place simultaneously in the same workshop without a too rigid separation between Egyptian and Nubian production. That is, that the same potter/s possibly prepared and fired together Nubian and Egyptian style vessels and that only the stages related to the production and finishing (those where we have observed the greater diversity of style!) took place separately on the basis of specific technological skills and regional traditions.
It is still plausible to think that in such promiscuous contexts some of the so-called hybrid vessels, showing a mixture of Egyptian and Nubian stylistic aspects and technologies, have taken shape, perhaps initially accidentally, to then become objects possibly intentionally sought and widespread as the expression of a shared use of the same territory and mostly of the progressive entanglement between the Egyptian and Nubian cultures. To what extent were these isolated cases or is it realistic (and ethically correct) to speak about “Creolization” or “Koinezation” of ceramic styles? (for the term koiné and “International artistic koiné” cf., Feldman 2006).
A solid theoretical background combined with a broad-spectrum analytical approach based on the combined macroscopic and microscopic analysis of several ceramic collections from several bordering regions environmentally and culturally highly similar but also extremity distinctive (e.g., Sai Island, Kerma/Dukki Gel, and the Attab to Ferka region) is already allowing us to answer some of these questions and to formulate many others more and more punctual on the way of expanding our knowledge on the complex system of socio-cultural, economical, and ecological dynamics that took place during the Bronze Age period in the various regions of Nubia.
References
D’Ercole, G. and Sterba, J. H. Forthcoming. Chemical analyses of the pottery corpus from the New Kingdom town of Sai. In: J. Budka (with contributions by G. D’Ercole, J.H. Sterba and P. Ruffieux). AcrossBorders 3: Vessels for the home away from Egypt. The pottery corpus from the New Kingdom town of Sai Island. Archaeology of Egypt, Sudan and the Levant, Vienna: Austrian Academy of Sciences Press.
Fahlander, F. 2008. Differences that matter. Materialities, material culture and social practice (127-154). In: Glørstad, H., & Hedeager, L. eds. Six essays on the materiality of society and culture. Bricoleur Press.
Feldman, M. H. 2006. Diplomacy by Design: Luxury Arts and an ‘International Style’ in the Ancient Near East, 1400–1200BCE. Chicago: University of Chicago Press.
Ginzburg, N. 1963. Family Lexicon. Daunt Books.
Olsen, B., Shanks, M., Webmoor, T., Witmore, C. 2012.Archaeology: The Discipline of Things. University of California Press.
One of our objectives within the DiverseNile project, to reconstruct cultural encounters based on the material record by the detailed assessment of the most important productive activities, technologies and foodways, has received plenty of new material evidence during the 2022 excavation season. Most importantly, thanks to the support of NCAM and especially our inspector Huda Magzoub, I was able to export a selection of pottery samples for scientific analysis to Germany. These new samples from our excavations in Ginis East (sites GiE 001 and 003) and Attab West (site AtW 001) are of huge importance for the project, especially because due to the restrictions caused by the corona pandemic for archaeological fieldwork in the last two years, we could until now only investigate the petrography of ceramic samples from Dukki Gel.
Such a privilege: unpacking ceramic samples in Munich just one month after excavating the sherds and their contexts in Sudan!
This ties in with what our PostDoc Giulia D’Ercole has summarised in a recent paper: „For over seventy years, theoretical approaches and methods of classification of ceramic objects in Sudan have gradually changed, as have the perspectives and the general purposes of archaeological research. In general, scholarly attention has progressively shifted from forms (i.e., decoration and shape) to mineral and chemical compositions of ceramics and vessel contents (i.e., petrographic, compositional, and organic residue analyses)“ (D’Ercole 2021). This changed focus already influenced our research within the framework of the AcrossBorders project and is now continued with the DiverseNile project.
The analysis of the material culture in Work Package 3 of the DiverseNile project is undertaken from a multi-perspective level, including scientific analyses focusing on provenience studies (e.g. ceramic petrography and iNAA, see already D’Ercole and Sterba 2018). For the ceramics, we will combine macroscopic observations with analytical approaches and evaluate the results of optical microscopy (OM) and chemical analyses (XRF and iNAA) in conjunction. Together with LMU colleagues, Giulia has also introduced Raman spectroscopy as a new application to answer various technological questions, in particular on the manufacturing stages of production and firing of the pots. This will especially help to understand questions about local productions and influences of Nubian ceramic traditions for preparing wheel made pots in the Middle Nile region.
In the last days, I was busy preparing the documentation of our new ceramic samples from Ginis East and Attab West. I selected twenty-one samples for optical microscopy (OM) and thus for the preparation of thin sections, while I will bring 108 samples later this week to the Atominstitute in Vienna where they are being analysed for instrumental Neutron Activation Analysis (iNAA) by our colleague and external expert in the project, Johannes Sterba.
Documenting a set of early New Kingdom samples from Attab West.
The new samples comprise sherds of various surface treatments and different fabrics of the Kerma ceramic tradition as well as diverse Egyptian style wheel made samples of which the majority seems to attest to a local pottery production in the Attab to Ferka region. Photographing the samples, I was again struck by the extremely interesting appearance of the material from the domestic site AtW 001. Although I know that the scientific analyses will take some time and I need to be patient, I cannot wait to integrate the results from iNAA and petrography with my archaeological assessment and macroscopical observations and discuss them further with Giulia and Johannes.
Like Aaron M. de Souza and Mary F. Ownby very truly remarked in a recent paper: more micro-analyses of Nubian material culture need to be undertaken to achieve a better understanding of cultural diversity in the Middle Nile (de Souza and Ownby 2022, 55).
References
D’Ercole, G. 2021. Seventy Years of Pottery Studies in the Archaeology of Mesolithic and Neolithic Sudan. Afr Archaeol Rev 38, 345–372. https://doi.org/10.1007/s10437-021-09432-y
D’Ercole, G. and Sterba, J. H. 2018. From macro wares to micro fabrics and INAA compositional groups: the Pottery Corpus of the New Kingdom town on Sai Island (northern Sudan), 171–183, in: J. Budka and J. Auenmüller (eds.), From Microcosm to Macrocosm: Individual households and cities in Ancient Egypt and Nubia. Leiden.
de Souza, A.M., Ownby, M.F. 2022. Re-assessing Middle Nubian cultural constructs through ceramic petrography. Afr Archaeol Rev 39, 35–58. https://doi.org/10.1007/s10437-022-09473-x
In the course of excavations at site GiE003—a Kerma Moyen–Kerma Classique cemetery at Ginis East—we found a small intriguing object in a large, roughly rectangular Kerma Classique tomb containing nice pottery and the remains of a large funerary bed (sadly, extremely fragile and badly preserved).
At first, it was difficult to determine the nature of the object, made of ivory and measuring c. 2.3 x 2.2 cm (figure 1). However, after looking at Reisner’s report on the excavations at the cemeteries of Kerma I could determine that the object was actually the upper part—the body—of a fly pendant!
Figure 1: ivory body of a fly pendant from GiE003. Photos by R. Lemos.
Based on my extensive research on New Kingdom cemeteries in Nubia, I was expecting that Bronze Age cemeteries in the region of Ginis in general would comprise mostly non-elite contexts, as is the case with New Kingdom burial contexts in the Batn el-Hajar (Edwards 2020) or rural, small-scale communities in the Kerma hinterland at Abu Fatima (Akmenkalns 2018).
The overall wealth of the community buried at Ginis—at least in the Kerma Classique Period—surprised me a bit. The closest parallel to the tombs we excavated at Ginis would probably be the Kerma cemetery at Ukma West, both in terms of tomb architecture and grave goods (Vila 1987). At GiE003, wealthy archaeological contexts were detected, including animal offerings, funerary beds and especially grave goods, including a glazed steatite Second Intermediate Period scarab—which works as evidence for long distance trade—and our interesting fly pendant.
Fly pendants were found at Kerma (Reisner 1923). Those were made of gilded ivory or bronze. Fly pendants were also found at Semna (ivory; Dunham and Janssen 1960) and Buhen (electrum body and ivory wings; Randall-McIver and Wooley 1911; figure 2). At Kerma, fly pendants were usually associated with bodies wearing swords/daggers, which led Egyptologists to transfer the Egyptian military symbolism attributed to flies in the New Kingdom to Kerma contexts (Binder 2008). However, as these objects became more common in the Kerma Classique Period, one could hypothetically establish a connection between flies and the Kerma expansion (Manzo 2016).
Figure 2: fly pendant from grave J33 at Buhen now at Penn Museum.
Despite not being made of gold or electrum, the fragmentary fly pendant from Ginis works as evidence for the relative wealth of the community buried at the cemetery, which raises questions about the source of such wealth in the context of Bronze Age geographical “peripheries” in Nubia. The object also allows us to discuss other topics, such as identities and social hierarchies, but I need more research time before I’m able to do discuss these any further. Nonetheless, the fly pendant from Ginis allows us to catch glimpses of the potential of material culture to reveal unknown aspects about Kerma communities living outside of Kerma and therefore to understand cultural diversity in Bronze Age Nubia.
References
Akmenkalns, J. 2018. Cultural Continuity and Change in the Wake of Ancient Nubian-Egyptian Interactions. PhD thesis, UCSB.
Binder, S. 2008. The Gold of Honor in New Kingdom Egypt. Oxford: Aris and Phillips.
Dunham, D. and J. Janssen. 1960. Second Cataract Forts. Boston: Museum of Fine Arts.
Edwards, D. 2020. The Archaeological Survey of Sudanese Nubia. Oxford: Archaeopress.
Manzo, A. 2016. Weapons, Ideology and Identity at Kerma (Upper Nubia, 2500-1500 BC). Annali, Sezione Orientale 76: 3-29.
Randall-McIver, D. and L. Wooley. 1911. Buhen. Philadelpha: University Museum.
Reisner, G. 1923. Excavations at Kerma. Cambridge, Mass: Peabody Museum.
Vila, A. 1987. Le cimetière kermaïque d’Ukma Ouest. Paris: CNRS.
One thing that always strikes me on excavations is the bizarre feeling of time one develops – it seems ages ago that we left Munich, but also years ago that we closed the excavation in Attab West (on March 31) and also as if at least a week has passed since we left Ginis yesterday morning!
Well – here we are – getting ready to leave this beautiful country with its rich archaeological and cultural heritage tonight after a very successful season´and a busy day in Khartoum with final paperworks and preparing accounts.
A summary of the 2022 spring season will follow soon – for now I am really grateful to all international team members, our wonderful inspector Huda Magzoub and all the other extremely helpful Sudanese colleagues at NCAM! Many thanks!
We collected large amounts of data from Ginis as well as Attab that will keep us busy in the next months! And hopefully we will be back in our concession area with its stunning landscape later this year!
Week 5 of our 2022 spring season is almost finished and we are getting ready to leave to Khartoum early next week.
We made great progress processing and documenting our recent finds. Sawyer and I were busy with drawing pottery and small finds, Rennan took last photos (Fig. 1). A special focus was on the rich material from the Kerma cemetery GiE 003.
Fig. 1: Rennan was busy photographing beads and other objects from GiE 003.
Because of the large amounts of ceramics, I could spend less time than I hoped for the continuation of the survey. Nevertheless, I managed to document some nice sites in the close vicinity of our digging house. For example, I re-traced the site labelled by Vila as 2-T-23 in Ginis East. Here, dwellings and remains of four saqiyas of a Medieval village are situated on a length of 1500m in the alluvial plain, still partly preserved. Sherds are scattered around the site which is now in parts covered by modern fields and has suffered from some destruction by car tracks.
One of the saqiya Vila documented in the 1970s is especially well preserved (Fig. 2). Recording this site was extremely pleasant because the setting close to the Nile is simply beautiful. One just needs to avoid the early morning hours – since it is hot, the nimiti flies are quite numerous at this time of the day.
Fig. 2: One of the stone-built saqiyas of site 2-T-23.
Yesterday, I covered another stretch of the east bank of the MUAFS concession and went to its very south-western part in Attab East. Here, the most spectacular monument is the extremely well preserved Islamic fortress Kourfa Hemmet, 2-T-57 (Fig. 3), which is surrounded by some Late Medieval remains. In this part of Attab, the Nile is very close to the sites, with a narrow strip of fields and one can already make out the Amara cataract in the water.
Fig. 3: View of the inner courtyard of the islamic fortress 2-T-57.
All these important monuments in a beautiful setting underline the general richness of archaeological sites in the MUAFS concession – and luckily we still have a few more days left in this gorgeous and peaceful part of northern Sudan!
This week was as the last ended – we had very strong winds, 3 days in a row with too much sand and dust in the air to excavate in open areas. The only place I could continue to work was the tomb in Trench 4 in GiE 002.
However, photographing, surveying and measuring under these conditions were really a challenge and Fabian and Max managed all what was possible (Fig. 1).
Fig. 1: Measuring outlines of stratigraphical units in the tomb at GiE 002 during heavy wind was anything else than easy or pleasant.
The results in this tomb (Fig. 2) are really amazing – we have found seven individuals so far and maybe more are to come!
Fig. 2: I hope to finally finish excavating this really intriguing tomb at GiE 002 in the upcoming days.
Originally, week 2 of our spring season was supposed to focus on excavation in GIE 003, a large Kerma cemetery at Attab/Ginis East. Here, we opened two trenches. In both of them, we found several burial pits and features filled with sand and human bones just below the surface, originally covered by tumulus superstructures. Excavation of these pits started on Thursday (Fig. 3) and although all is plundered, the material culture is really illustrative – high quality Kerma Classique ceramic vessels, Egyptian Marl clay vessels and some various types of beads as well as a pendant made of a mollusc. We are all very much looking forward to the next week!
Fig. 3: Excavations at the Kerma cemetery are now finally progressing fine!
In week 2, we were joined by late-comers from Munich and the 2022 field team is now complete: Together with Iulia, Sawyer helps with various tasks in the field and both of our student assistants were also drawing pottery during the very windy days; Rennan is excavating in the Kerma cemetery and Cajetan is using our drone for making aerial photographs.
Internet connection was and still is really unstable here at Ginis and more than updates on our weekend is difficult – so I hope to get your again interested next Friday!
Week 2 was very dense – we had strong winds on several days, even had to stop work on Monday and Tuesday. While the team and the workmen moved on Sunday to Kerma cemetery GiE 003, I was staying with two workmen at one of the tombs we found at GiE 002.
* Please note: since we are excavating tombs, this blog post includes pictures of human remains.
The first tomb we found in Trench 1 was just a simple pit burial of probably Prenapatan or Napatan date. A minimum of 2 adult burials was found, but all mixed and displaced.
The other tomb in Trench 4 (Fig. 1) was really quite surprising: an intact burial, wrapped in textiles from the head to the feet was found in an extended sidewards position in the sandy filling (Fig. 2). A few mud bricks were found along the body, the back part of the neck was resting on a large mud brick. This female burial seems to date from Medieval times (a completely wrapped body of this period was found by Vila in a cemetery nearby in Ginis, at 3-P-37, see Vila 1977: 98-101, Fig. 44) and is of intrusive character.
Fig. 1 – The tomb in Trench 4 with the outline of the pit and its sandy filling.Fig. 2 – The intrusive (seemingly Medieval) burial in the pit.
The same holds true for two (or maybe even three) individuals discovered slightly above the Medieval burial in the side niche of the tomb. One well preserved burial in a contracted position and one skull with remains of the shoulders was unearthed (Fig. 3). Another skull probably belongs to the contracted burial, but was slightly displaced. This requires an expert check by a physical anthropologist.
Fig. 3 – The contracted burial and another intrusive skull in the side niche.
Apart from some Prenapatan (or maybe Napatan) sherds in the filling, no finds were made so far. My assumption is that the niche will continue as a proper side chamber to the south (see Fig. 4) and that we will find remains of the original burials in a lower depth. Let’s see if this expectation comes true! Already now, our findings in GiE 002 differ from the results by Vila and suggest a very interesting long use-life of this cemetery with multiple burials from various periods.
Fig. 4 – The status of the tomb with the upper burials removed – the side niche seems to continue towards the south.
Reference
Vila 1977 = A. Vila, La prospection archéologique de la Vallée du Nil, au Sud de la Cataracte de Dal (Nubie Soudanaise). Fascicule 5: Le district de Ginis, Est et Ouest. Paris 1977.
